Cine-mundial (1920)

Record Details:

Title:
Cine-mundial
Date:
1920
Publisher:
Nueva York, Chalmers Publishing Company
Volume:
Cine-mundial (1920)
Leaf #:
000406
Language:
Spanish
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Hollywood Studio System, Global Cinema, and Spanish Publications
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Description (English): Cine-Mundial, the Spanish-language version of Moving Picture World, was published between 1916 and 1948. The magazine documents Hollywood’s growing dominance in Latin American markets in the 1920s and the emergence of national film industries, such as those of Mexico and Argentina after the introduction of sound film. Far from being a mere translation of its English-language counterpart, Cine-Mundial focused on issues that were important to its readers in Latin American and Spain—the representation of Latin Americans on screen, the geo-politics of film distribution, and Hollywood’s short foray into Spanish-language film production in the late 1920 and early 1930s. Functioning as both trade publication and fan magazine, its regular columns that featured reports from national correspondents and letters from readers from every corner of the Spanish-speaking world provides invaluable insight into Latin American audiences and their reception of both imported and nationally or regionally produced films. -- Laura Isabel Serna, 2013
Date Added:
June 20, 2024
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C I X E M U N D I A L Los Héroes Auténticos del Cine AY HÉROES legítimos y héroes de pega, lo mismo que hay condes y marqueses auténticos y duques y barones sin más título que su propio descaro. Y es de justicia poner a cada quien en su lugar, no sea que luego vayan las futuras generaciones a levantar monumentos a algún cualquiera, que tuvo fama de haber ejecutado grandes empresas, pero que fué, en realidad, un ente vulgar y sin méritos. Para los que concurren al cinematógrafo con la debida regularidad, héroes dignos de pasar a la historia son, por ejemplo, el temerario Hart, que se come crudos a los bandoleros y se lanza sobre su famoso pinto por las más insondables barrancas y los más resbaladizos despeñaderos. Héroe es Francis Ford que, en cuatro mil pies de película de una serie en episodios mata lo menos cuatro m-il personas y no saca, en cambio, sino tal o Abril, 1920 < Nada más elocuente que estas fotogr fías suministradas por "Famous Play y "Universal" para mostrar los riesgos que el fotósrrafo de Cine corre en el desempeño de sus funciones. > PÁGINA 3SS