Cine-mundial (1920)

Record Details:

Title:
Cine-mundial
Date:
1920
Publisher:
Nueva York, Chalmers Publishing Company
Volume:
Cine-mundial (1920)
Leaf #:
000950
Language:
Spanish
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Hollywood Studio System, Global Cinema, and Spanish Publications
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Description (English): Cine-Mundial, the Spanish-language version of Moving Picture World, was published between 1916 and 1948. The magazine documents Hollywood’s growing dominance in Latin American markets in the 1920s and the emergence of national film industries, such as those of Mexico and Argentina after the introduction of sound film. Far from being a mere translation of its English-language counterpart, Cine-Mundial focused on issues that were important to its readers in Latin American and Spain—the representation of Latin Americans on screen, the geo-politics of film distribution, and Hollywood’s short foray into Spanish-language film production in the late 1920 and early 1930s. Functioning as both trade publication and fan magazine, its regular columns that featured reports from national correspondents and letters from readers from every corner of the Spanish-speaking world provides invaluable insight into Latin American audiences and their reception of both imported and nationally or regionally produced films. -- Laura Isabel Serna, 2013
Date Added:
June 20, 2024
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Noviembre, 1020 No hay ninguna empresa cinematográfica cuyas peículas hayan tenido un progreso tan marcado como as de Pathé Exchange, Inc. Los argumentos han sido sacados de las obras de os mejores autores y especialmente seleccionados por u interés dramático. Esos argumentos han sido cui iadosamente convertidos en escenarios, formados con os puntos más interesantes y dando al director de scena infinitas posibilidades. Cada director de escena :s elegido por sus aptitudes especiales para interpretar ina obra determinada. Los papeles son confiados a irtistas que representan el tipo exacto que deben per onificar, y jamás se modifica un argumento por con 'eniencia de la estrella. Las escenas son tomadas err Ibn ambiente apropiado y los decorados construidos tal ¡lomo la atmósfera del sujeto lo requiera, sin tener |tn cuenta su costo. ¿Es extraño, pues, que el público pida en todas parles las películas PATHÉ? CONTRA VIENTO Y ■\lAREA y LOS ALQUIMISTAS MONETARIOS demuestran el buen fundamento de lo que decimos más I .rriba. CINE-MUNDIAL PÁGINA 912 THE MONEY CHANGERS Y sólo un naufragio puiIo recordarle su deber E só um naufragio poude recordar-lhe o seu dever PATHE EXCHANGE, Inc. Departamento de Exportación 25 West 45th Street Nueva York, E.U.A. HALF A CHANCE Nao ha nenhuma empresa cinematographica cujas pelliculas tenham tÍdo um progresso táo notavel como as da Pathé Exchange, Inc. Os argumentos teem sido tirados das obras dos melhores auctores e especialmente seleccionados pelo seu interesse dramático. Esses argumentos teem sido cuidadosamente convertidos em scenarios, formados com os pontos mais interessantes e dando ao director de scena infinitas possibilidades. Cada director de scena é escolhido pelas suas aptidoes especiaes para interpretar uma obra determinada. Os papéis sao confiados a artistas que representam o typo exacto que devem personificar, e nunca se modifica um argumento por conveniencia da estrella. As scenas sao tomadas num ambiente apropriado, e as decoraíoes construidas tal como a atmosphera do assumpto o requer, sem attender a despezas. É para estranhar, pois, que o publico pe^a em todas as partes as pellicuIas-PATHÉ? CONTRA O VENTO E A MARÉ e OS ALCHLMISTAS demonstram o bom fundamento do que deixamos dito. Una valla viviente impidió la fuga de la joven Uma valla vívente impediu a fuga da joven Menciónese esta revista al dirigirse a los anunciantes