Cine-mundial (1920)

Record Details:

Title:
Cine-mundial
Date:
1920
Publisher:
Nueva York, Chalmers Publishing Company
Volume:
Cine-mundial (1920)
Leaf #:
0001033
Language:
Spanish
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Spanish Publications, Global Cinema, and Hollywood Studio System
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Description (English): Cine-Mundial, the Spanish-language version of Moving Picture World, was published between 1916 and 1948. The magazine documents Hollywood’s growing dominance in Latin American markets in the 1920s and the emergence of national film industries, such as those of Mexico and Argentina after the introduction of sound film. Far from being a mere translation of its English-language counterpart, Cine-Mundial focused on issues that were important to its readers in Latin American and Spain—the representation of Latin Americans on screen, the geo-politics of film distribution, and Hollywood’s short foray into Spanish-language film production in the late 1920 and early 1930s. Functioning as both trade publication and fan magazine, its regular columns that featured reports from national correspondents and letters from readers from every corner of the Spanish-speaking world provides invaluable insight into Latin American audiences and their reception of both imported and nationally or regionally produced films. -- Laura Isabel Serna, 2013
Date Added:
June 20, 2024
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C I X E M U N D 1 A L l^ 't W f* ,á f ^ 1' animando mi entusiasmo, 16 liice asi por algún tiempo. — ¿Le gustaba más las tablas que la pantalla, señorita Fisher? — Bien. . . Ante la duda que parecía atormentarla, hice una expresión como queriéndola demostrar que me era indiferente su elección, pero, entonces, continuó: — . . . amo las tablas tanto como la pantalla; mas, tenemos que apreciar las amplias ventajas que nos ofrece ésta; sobrepuja, en verdad, los límites de aquéllas. En la pantalla podemos presentar la naturaleza, que es fuente de belleza (y que nos perdone Osear Wilde), sin los artificios de bambalinas y perspectivas de pinceles. . . V, así, siguió nuestra heroína expresándonos su devota admiración por la pantalla y, de vez en cuando, entretejiendo sus apreciaciones con aventuras artísticas. 4 '^.>"'-^>-< — ^Hace ya más de dos años que trabajr con la American Film Company, en Sant^ Mónica, California. ¡Oh, Santa Mónica! E; uno de los sitios más bellos en la Costa Oc cidental. Las palmeras se levantan, gallar das, a las orillas de las avenidas, refrescandí los paseos deliciosamente. Cuando nos decía esto, parecía que mira ba, muy alma adentro, los paisajes que e recuerdo le reconstruía. — ¿Va usted a seguir trabajando con 1; American Film Company? — Creo que no. Por ahora, deseo un des canso; luego, espero desarrollar mi propi; compañía productora. — Y, ¿qué personajes, señorita Fisher, 1' gusta a usted representar mejor? — Los dramáticos. Pero, me gusta que como en las operetas, la trama de los dra mas vaya salpicada de la comedia de la vida {contimta en la página 1008) *N,N ♦♦^ '^ /^: -j'> i«í#/r ',**^ ^--'^ .:-'.