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September-October, 1939
THE CINE-TECHNICIAN
73
4.
l; Did "Pygmalion" lose any of its force in being transferred to the screen ?
2. Do you think Hollywood could have made a better version of •
3. Which fiim version of "Pygmalion" do you prefer the earlier Dutch one, or the recent British one-? And why. Z*t><3 0
It has been said tnat on the screen "Pygmalion" date s and i seems .old fashioned.. What is your opinion Zj^^^&A u t*t/r%^
5. Are y*ou likely* to writ* directly forthe screen ? If not/,
why not ? J^-at^ ^ " J*4 «alGr,*u«/va4 (nuCltSf^ /^<Hji
6. What is your opinion of screenwriting as a prof essira^^ V^!_2«^ Is the scenario-writer necessary ? ty^^XXi^Jj <r± %»«r <rr**&-y* i .
7. Would you agree that it is 1 essential for line well being of the British film industry that it should recognise the organisations representing its technicians, and make agreements with them ? ty^^'JrJUtl.
8. Have you seen any films which you think are the equal, from artistic or propagandist" reasons, of your own work in the theatre ? ^ U<T^" < X$Zj , ^^%a* ^ <
9. Do you tjiinkt he .British Bpard of Film Censorsis necessary ?
10. Do you think the British film industry has any future ?
11. Now that you have joined your professional organisation (The Screenwriters1 Association), are you also going to join your appropriate Trade Union in the film industry The Associiion of Cine-Technicians ? a tn ■ Vu~
12. Who in your opinion is the second greatest dramatist in
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