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92
THE CINE-TECHNICIAN
July-August, 1952
'ONE'S" COMPLETE GUIDE to BRITISH FILM MAKERS
WIDE BOY
Year of Production: 1952.
Studio: Merton Park Studios.
Laboratory : Donham.
Producing Company: Anglo-Guild.
Producer: W. H. Williams.
Slurs: Susan Shaw, Sydney Taller and Hi maid Howard.
Director: Ken Hughes.
Sri narist: Ken Hughes.
Camera Department : Lighting Cameraman, Jo Ambor; Camera Operator, Leo Rogers; 1st Asst. Camera (Focus), Rob Robson; Other Camera Asst.. Dave Litchfield.
Sound Department : Recordist (Mixer), R. C. Smith; Sound Camera Operator, B. Hunter; Boom Operator, D. Drinkwater; Boom Assistant, A. Vincent; Dubbing Crew, R. A. Smith, S. Rider, L. Hebburn.
Art Department : Art Director, Harold
Watson. Editing Department : Supervising
Editor, Geoff Muller; 1st Assistant,
E. Hilton.
Production Department: Production Manager and /or Unit Production Manager, Adrian Worker; 1st Asst. Director, E. Holliday; 3rd Asst. Director, Jcilm Smith; Continuity, Betty Harley.
Still Department: Still Cameramen, S. Stanborough, N. Hargood.
THE HAPPY FAMILY
Year of Production: 1951. St mho: a. H. W. Productions— Gate Studios.
Laboratory : Denham,
Producing Comprint) : London Independent Producers.
Producer : William Macqnitty.
Stars: Stanley Holloway, Kathleen
Harrison, Naunton Wayne. Director: Muriel Box. Scenarists: Muriel and Sidney Box.
Camera Department: Lighting Camera man. Keg Wyer; Camera Operator, Dudley Lovell ; 1st Asst. Camera (Focus). Henrv Slagter; Other Camera Asst., Tony Sprattling.
Sound Department: Recordist (Mixer), 1'eler Birch; Sound Camera Operator, Gordon Temple; Boom Operator. ( teorge Saunders.
Art Department: Ari Director-, Cedric Dawe; Draughtsman, Chief, Maurice Pelling.
Editing Department: Editor, Jean Barker; 1st Assistant, Stanley Willis;
Other Assistant, George S.ixby.
Production Department Production Manager and or Unit Production Manager. H. R. R. Attwooll; 1st Asst. Director, John Arnold; 2nd Assl. Director. John Oldknow; 3rd Asst. Director. Douglas Kentish; Continuity, Connie Willis.
Still Department : SI ill Cameraman.
I ..I tt I • Hi e l:iille\ .
HUNTED
Year of Production: 1951.
Studio: Pinewood.
Laboratory: Denham.
Producing Company: British Film Makers.
Producer: Julian Wintle.
Production Controller: Arthur Alcott.
Stars: Dirk Bogarde, Elizabeth Sellars, Jon Whiteley.
Director: Charles Crichton.
Scenarist: Jack Whittingham.
Camera Department : Lighting Cameraman, Eric Cross; Camera Operator. Bob Thompson; 1st Asst. Camera (Focus), Reg Morris; Other Camera Asst.. John Morgan.
Sound Department : Recordist (Mixer), John Mitchell (Studio), T. Cotter (Location); Sound Camera Operator, Ken Rawkins (Studio), W. Daniels (Location); Boom Operator, D. Messenger (Studio), R. Macphee (Location); Boom Assistant, E. Daniels; Dubbing Crew. G. K. McCallum, W. Daniels, P. Davies, E. Drake. C. le Messurier; Music Mixer, E. Drake.
Art Department : Art Director, A. Vetchinsky; Assistant Art Director (Set). Iris Newell ; Draughtsmen. G. Brian Herbert, A. Withy, R. Cartwright.
Editing Department : Supervising Editor. Gordon Hales; Editor, Geoff Muller; 1st Assistants. R. Cherril, A. Chegwidden ; Other Assistant. C. Lancaster; Dubbing Editors, G. Hamilton (Asst.), L. Hodgson.
Production Department: Production
Manager and/or Unit Production
Manager, George Mills; 1st Asst.
Director, Ted Holliday; 2nd Assl.
Director, Dave Orton; 3rd Assl.
Director, Bert Batt ; Continuity. Barbara Cole.
Still Department: Still Cameraman, Norman Gryspeerdl.
Special Processes: Production Secretary, Beryl Harvej
THE CARD
Year of Production: 1951.
Studio: Pinewood.
Laboratory : Denham.
Producing Company : British Film
Makers Ltd. Producer: John Bryan.
Production Controller: Arthur Alcott.
Associate Producer: Bob McNauglii.
Sims Ale, Guinness, Valerie Hobson. CUnis Johns. Pelula Clark.
Direi toi Ronald Neame.
Scenarist: Erie Ambler.
Cameta Department Lighting Cameraman, E Steward (Location), O. Morris (Studio); Camera Operators, David Harcourt, E. Steward; 1st Asst. Camera (Focus), J. Atcheler (Loca tion and Studio); Other Camera Asst.. S. Claydon (Location and Studio).
Sound Di part mi nt !>, nnlist iMixeri.
C. C. Stevens ; Sound Camera Operator, G. Lewis; Boom Operator, B. Fenton Smith; Boom Assistant,
D. Jackson; Dubbing Crew, G. K. McCallum. P. Davies, E. Drake, W. Daniels; Music Mixer, E. Drake.
Art Department : Art Director. T. Hopewell-Sash; Asst. Art Director, Dario Simoni (Set); Draughtsmen, Chief, J. Maxted, C. Huet. R. Dorman. A. Withy, R. Cartwright, J. Able.
Editing Department : Editor, Clive Donner; 1st Asst., E. Boita; Other Assl., M. Johns; Dubbing Editor, Harry Miller (Asst.). A. Ludski.
Production Department: Production
Manager and or Unit Production
Manager, Bob McNaught ; 1st Asst.
Director. Max Varnel; 2nd Asst.
Director, Peter Manley; 3rd Asst.
Director, R. Gowans ; Continuity, Yvonne Axworth.
Still Department : Still Cameraman. I. Jeaves.
Sp< rial Processes : Production Secretary. Winifred Pearson; Dress Designer. Doris Lee.
SATURDAY ISLAND
Year of Production: 1951.
Studio: Nettlefold Studios.
Laboratory: Technicolor and Geo. Humphries (Sound).
Producing Company : Coronado Prods. (England) Ltd.
Producer: David E. Rose.
Associate Producer: John R. Sloan.
Stars: Linda Darnell. Tab Hunter, Donald Gray.
Director: Stuart Heisler.
Sen i nplay : Stephanie Nordli.
Camera Department: Lighting Cameraman, Oswald Morris ; Camera Operator. Arthur Ibbetson; 1st Asst. Camera (Focus). Ian Craig; Other Camera Asst.. Peter Allwork; 2nd Camera Operator, Robert Walker.
Sound Department: Recordist (Mixer),
Charles Knott: Sound Camera Operator, Harold Clarke; Boom Operator. Claude Hitchcock; Boom Assistant. P. Wheeler; Other Asst.. F. Sloggett (Maintenance); Dubbing Crew, Mixer. Red Law.
Art Department : Art Director, John Howell; Asst. Art Director, John Stoll. Malte Artist, Leslie Bowie.
Editing Department: Editor. Russell Llovd ; 1st Assistant, Richard Sid well;
Oilier Assistants. Basil Warren. Leslie Robertson; Dubbing Editor. Tom Simpson. I'roduetion Department: Production Manager, Fred Gunn: 1st Assistant Director, George Fowler; 2nd Assl. Director, Douglas Twiddy; 3rd Asst. Dire, tor. B. Booth; Location Manager. Cecil R. Foster Kemp: Continuity, Beta Forstet; I'roduetion Secretary, Vudrej Monk.
Still Department: Still Cameraman. Bert ('(inn.
Special Processes: Special Effects and Models, George Blackwell; Mattes
and Miniatures. D. Haig. Technicolor.