We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.
Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.
CINE-TECHNICIAN
INDEX Vol. 20 1954
92. 93
214,
215
41
132,
133
126
125
212,
213
By J. Cook By Pat Holmes By J. Land ... By D. Meddings
SUBJECTS Page
ADVANCES IN 21 YEARS. By George Elvin
A FILM TECHNICIANS NOTEBOOK. Bv A. E. Jeakins 4, 22, 23. 36, 37. 51-53, 164-166. 184.
ANDERSON, MAX. Profile
ANTHONY ASQUITH. A Tribute
ASSOCIATION OF CINEMATOGRAPH AND ALLIED TECHNICIANS
Annual General Meeting, 1954
Answers U.S. Unions
Feature Films Pay Award
Laboratory Activities 10, 11. 31, 44-46, 54-60, 125, 141, 157, 216
Notes and News 14, 15, 28-30, 127, 156, 174, 204
Short and Documentary Films Dispute 157, 163, 179
Technical Committee Lectures 5, 9, 37-39, 127, 128, 157
The General Council Decides 12, 27, 47, 142, 158, 175, 190, 206, 221
Twenty-First Anniversary 73. 97-103, 126
BOOK REVIEWS 124, 134, 174, 184
BRITISH ACOUSTIC FILMS. Reports from A.C.T. Shop 127. 139, 156. 198. 204, 213
BRITISH FILMS OVER 21 YEARS. By R. J. Minney 74-77
BYWAYS AND HIGHWAYS OF FILMLAND. By Chris Brunei 84-87
CARTOONS
By Bert Bath 195
59
21
56. 58. 138. 139, 152, 156, 180, 181. 211, 222
57
CINDERELLA AND THE WOLVES 180, 181
CINE PROFILE. By " Recorder "
Max Anderson 41
Ian Crawford 30
Terence O'Brien 13
Ian Struthers 167
CINE'S COMPLETE GUIDE TO BRITISH FILM MAKERS 26, 27, 42, 43, 61, 136, 137, 169-172, 186-188. 219
COLOUR, WHY EASTMAN? By Gordon J. Craig 37-39
COLOUR. Problems of in TV. By G. G. Gouriet 39
TV in U.S.A 40
COMPOSITE FOUR-TRACK SOUND 8, 9
CRAWFORD, IAN. Profile 30
DIRECTORS IN A RUT By William Dieterle 62. 63
DOUBLE FRAME CAMERA, The. By John R. Bishop and Loren L. Ryder 24. 25
ELECTRONIC FILM MAKING. By T. C. Macnamara 148-151
FEATURE FILMS PAY AWARD. By George Elvin 212, 213
FILMING " MOBY DICK " 203
FILMING THE QUEEN IN AUSTRALIA. By Stanley Hawes 115-117
FILM PRODUCERS, ARE THEY NECESSARY? By R. J. Minney 127, 128
FILMS FOR GOVERNMENT SERVICE. By George Elvin 153, 154
GONE ARE THE DAYS. By Charles Duncan 217. 218
IN 1933—21 YEARS AGO 96, 140, 155. 168. 189. 201, 213
INSURANCE ACT DEFECTS. By George Elvin 202, 203
INTRODUCTION TO 3-D FILM. By Raymond and Nigel Spottiswoode 122-124
ITALIAN FILMS AT THE CROSS-ROADS. Bv Chris Brunei 182, 183
LAB EMPLOYEES ANSWERED. By George Elvin 10, 11
LABORATORIES
Employers' Case Answered. By George Elvin 10, 11
Lab Pay Rises. By George Elvin 152, 153
Profits and Prices 181
Topics. By Alf Cooper 141, 157. 216
Wages Claim and Dispute 31. 44-46. 54-60
Wages Dispute Settlement 125, 152, 153
LABOUR PARTY FILM ON TV. By R. J. Minney 60
LAB TOPICS. By Alf Cooper 141, 157, 216
LIGHTING FOR HIGH-SPEED PHOTOGRAPHY. Bv P. T. Cahill 199-201
MAGNETIC TAPE. TV PICTURES ON 19, 20
MOTION PICTURE PHOTOGRAPHY OVER 21 YEARS. By Adrian Jeakins 78-81, 83
OBITUARIES
Bill Cheeseman 222, 223
John Cox Mrs. A. Friars Jimmy Hodges Reg Margaritis George Moss Walter Stevens Dylan Thomas
15 15 121 181 121 206 15