The Cine Technician (1953-1956)

Record Details:

Title:
The Cine Technician
Date:
1953-1956
Publisher:
London, Association of Cine-Technicians
Volume:
The Cine Technician (1953 - 1956)
Leaf #:
000393
Language:
English
Subjects:
Motion Pictures, Film Industry Technical Magazine",nyarc-museumofmodernar
Collection:
Global Cinema, United Kingdom, and Hollywood Studio System
Format:
Periodicals
Contributor:
The Museum of Modern Art Library, New York
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Date Added:
March 21, 2024
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February 1955 CINE TECHNICIAN 25 CINE'S COMPLETE GUIDE to BRITISH FILM MAKERS THE LYONS IN PARIS Year of Production: 1954. Studio: Southall. Laboratory: Olympic Kine. Producing Company: Hammer Film Productions Ltd. Producer: R. Dunbar. Stars: The Lyons Family. Director: Val Guest. Camera Department: Lighting Cameraman, L. Harvey; Camera Operator. L. Harris; 1st Camera Assistant (Focus), H. Oakes; Second Camera Operator, T. Friswell. Sound Department: Recordist (Mixer), C. J. Mason ; Sound Camera Operators, J. Sautar, T. Cogham; Boom Operator, F. J. Wortham; Other Assistant, P. Newitt (Maint.). Art Department: Art Director, W. Arnold. Editing Department : Editor, D. Myers ; 1st Assistant, N. Gurney. Production Department: Production Manager and/or Unit Production Manager, F. Pearson; 1st Assistant Director, R. Dupont; 2nd Assistant Director, R. Good; 3rd Assistant Director, P. Clayton; Continuity, R. Glynne. Stills Department: Still Cameraman, J. Jay. SEAGULLS OVER SORRENTO Year of Production : 1953. Studio: Metro Goldwyn Mayer (British Studios Ltd.). Laboratory: Geo. Humphries & Co. Ltd. Producing Company: Metro Goldwvn Mayer (British Studios Ltd.). Producer: John Boulting. Star: Gene Kelly. Directors: Rov Boulting, E. Owen (2nd Unit). Scenarists: Frank Harvey, Roy Boulting. Camera Department: Lighting Cameramen, Gilbert Taylor, G. Kelly (2nd Unit); Camera Operator, Dudley Lovell: 1st Camera Assistant (Focus), Paul Wilson; Other Camera Assistants, P. Aherne, Kelvin Pike, R. Etherington, M. Wilson; Second Camera Operator, David Mason. Sound Department: Recordist (Mixer), Peter Handford; Sound Camera Operator, M. Hickey; Boom Operator, W. Cooke; Boom Assistant, G. Martingell; Dubbing Crew, J. B. Smith, M. Hickey, C. Jones. Publicity: Paul Mills. Art Department: Art Director, Alfred Junge; Assistant Art Director, E. E. Scott; Draughtsmen, Alan Harris, Dudley Darby, Reg Bream. Editing Department: Editor, Max Benedict ; 1st Assistant, Anthony Harvey; Other Assistant, Brian Blarney; Dubbing Editor, Chris Greenham. Production Department: Production Manager, Dora Wright ; Unit Production Manager, Cecil F. Ford; 1st Assistant Director, Philip Shipway; 2nd Assistant Director, Norman Harrison; 3rd Assistant Director, Tom Sachs; Continuity, Elaine Schreyeck; Production Secretary, Elaine Quinn. Stills Department: Supervisor, D. Boulton ; Floor, Joe Pearce. Special Processes: T. Howard (i/c), F. Hellenburgh, J. Blades. THE GOLDEN LINK Year of Production : 1954. Sttidio: Riverside Studios. Laboratory: Denham Labs. Producing Company : Parkside Film Productions Ltd. Producer: Guido Coen. Stars: Andre Morell, Thea Gregory, Fatrick Holt, Jack Watling. Director: Charles Saunders. Scenarist : Alan McKinnon. Camera Department: Lighting Cameraman, Harry Waxman ; Camera Operator, Dudley Lovell; 1st Camera Assistant (Focus), Paul Wilson; Other Camera Assistant, Alec Mills. Sound Department: Recordist (Mixer), Len Bulkley; Sound Camera Operator, C. D. Benson ; Boom Operator, Fred Tomlin; Dubbing Crew, George Burgess, Gordon Hay, Cyril Collick. Art Department: Art Director, Wilfred Arnold. Editing Department: Editor, Jack Slade; Assembly Cutter, Arthur Cox. Production Department: Production Manager and/or Unit Production Manager, Fred Swann; 1st Assistant Director, Denis Johnson; 2nd Assistant Director, Frank Ernst ; Continuity, Joanna Busby. Stills Department: Still Cameraman, Eric Gray. ROMEO AND JULIET Year of Production: 1953-54. Studio: Filmed on location in Italy, edited at Pinewood Studios. Laboratory: Technicolor and Denham Laboratories. Producing Company: Verona Productions Ltd. Producer: Joseph Janni. Stars: Laurence Harvey, Susan Shentall, Flora Robson. Mervyn Johns, Norman Wooland. Director: Renato Castellani. Scenarist: Renato Castellani. Camera Department: Lighting Cameraman, Robert Krasker; Camera Operator, John Harris; 1st Camera Assistant (Focus), Ray Parslow; Other Camera Assistants, John Cabrera, Geoffrey Wallis. Sound Department: Recordist (Mixer), John Dennis ; Sound Camera Operator, Ken Rawkins ; Boom Operator, Bob MacPhee; Sound Maintenance, Austin Partridge; Dubbing Crew, Gordon McCallum, Bill Daniels; Music Recordist, Ted Drake. Art Department : Assistant Art Director, Ron Benton. Editing Department: Editor, Sidney Hayers; 1st Assistant, Marcel Durham; Other Assistant. Jack Knight: Dubbing Editors, Harry Miller, Winston Ryder; Dubbing Assistants, Archie Ludski, Noreen Ackland. Production Department: Production Manager and/or Unit Production Manager, Jack Hanbury; 1st Assistant Director, Fraser Foulsham ; Continuity, Hazel Swift; Production Secretary, Kathleen Rawlings. Stills Department: Still Cameraman, Norman Gryspeerdt. Special Processes: Animated Matte Shot, F. Guidobaldi. Publicity: Leonard Samson, Alan Arnold. Dialogue Director: Dallas Bower. COMPANIES IN CRIME Year of Production : 1953. Studio: Nettlefold Studios. Laboratory: Geo. Humphries & Co. Ltd. Producing Company: Republic Productions (Gt. Britain) Ltd. Producer: R. Armour. Associate Producer: Wm. N. Boyle. Stars: Clifford Evans, George Woodbridge, Maurice Kaufmann, Tim Turner, Eliot Makeham. Director: John Krish. Scenai-ists: Patricia Latham, Lester Powell. Kenneth R. Hayles. Camera Department: Lighting Cameraman, Basil Emmott; Camera Operator, Peter Lambert ; 1st Camera Assistant (Focus), Manny Yospa; Other Camera Assistant, Garry Coxall. Sound Department: Recordist (Mixer), Charles Poulton ; Sound Camera Operator, Ray Raynham ; Boom Operator, Tommy M'evers; Maintenance, Michael Bassett; Dubbing Crew, Anvil Films Ltd. Art Department: Art Director, John Stoil. Editing Department: Editor, John Seabourne; 1st Assistant, Terry Laurie; Dubbing Editor, Eric Boyd-Perkins. Production Department: Production Manager and /or Unit Production Manager, Gerry O'Hara; Assistant Directors, Douglas Twiddy, Erica Masters; Continuity, Joanna Busby; Production Secretary, Patricia Lees. TO DOROTHY A SON Year of Production : 1954. Studio: National Studios. Laboratory: Geo. Humphries & Co. Ltd. Producing Company: Welbeck Films Ltd. Producer: Peter Rogers. Stars: Shelley Winters, Peggy Cummins, John Gregson. Director: Muriel Box. Scenarist: Peter Rogers. Camera Department: Lighting Cameraman, Ernest Steward; Camera Operator, Robert Thomson ; 1st Camera Assistant (Focus), Fred Cooper; Other Camera Assistant, Frank Watts. Sound Department: Recordists (Mixer). Cliff Sandal, Fred Turtle: Sound Camera Operator. H. MacLean ; Boom Operator, G. Paternoster; Other Assistant, S. Humphries; Dubbing Crew, Fred Turtle, P. Cuningham, L. Thompson. Art Department: Art Director, George Provis; Scenic Artist, Alan Evans; Draughtsman, Alex Grey. Editing Department: Supervising Editor, Alfred Roome : 1st Assistant, Don Sharpe ; Other Assistants, S. Fireman. J. Davidson; Dubbing Editor, Don Sharpe. Production Department: Production Manager and/or Unit Production Manager, Al Marcus ; 1st Assistant Director, Ernest Morris; 2nd Assistant Director, John Oldknow; 3rd Assistant Director, J. Draper; Continuity, Barbara Wainwright. Stills Department: Still Cameraman. Cyril Stanborough.