The Cine Technician (1953-1956)
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94
CINE TECHNICIAN
June 1956
Guide to British Film Makers
CLOAK WITHOUT DAGGER
Year of Production : 1955.
Studio: Nettlefold Studios.
Laboratory: Kav Film Printing Co. Ltd.
Producing Company. Balblair Productions Ltd.
Producer: A. R. Rawlinson.
Stars: Mary Mackenzie, Philip Friend, Leslie Dwyer.
Director: Joe Sterling.
Scenarist: A. R. Rawlinson.
Camera Department: Lighting Cameraman, Gerry Gibbs: Camera Operator, Eric Williams; 1st Camera Assistant (Focus), Revel King; Other Camera Assistant — Loader/Clapper, Geoffrey Glover.
Sound Department: Recordist (Mixer), Fred Ryan; Boom Operator, D. Drinkwater; Other Assistant, Sound Maintenance, Stan Clarke; Dubbing Crew, Ken Cameron, Beaeonsrield.
Art Department: Art Director, John Stoll.
Editing Department: Editor, Carmen Beliaffe; 1st Assistants, Alban Streeter, Ronald Fowler.
Production Department: Production Supervisor, Victor Lyndon; 1st Assistant Director, Frank Ernst: 2nd Assistant Director, Stanley Goulder; Continuity. Barbara Thomas.
Stills Department: Still Cameraman, Ricky Smith.
SIMON AND LAURA
Year of Production : 1955.
Studio: Pinewood.
Laboratory: Technicolor.
Producing Company: Group Film Productions Ltd.
Producer: Teddy Baird.
Production Controller: Arthur Alcott.
Stars: Kay Kendall, Peter Finch, Muriel Pavlow, Ian Carmichael, Hubert Gregg.
Director: Muriel Box.
Scenarist: Peter Blackmore.
Camera Department: Lighting Cameraman, Ernie Steward ; Camera Operator, Bob Thomson ; 1st Camera Assistant (Focus), John Morgan; Other Camera Assistant, Jack Rixon.
Sound Department: Recordist (Mixer), C. C. Stevens; Sound Camera Operator, E. Karnon ; Boom Operator, Geoff Daniels; Boom Assistant, A. Cripps; Dubbing Crew, Gordon K. McCallum, W. Daniels, C. le Messurier; Music, Ted Drake.
Art Department: Art Director, Carmen Dillon; Assistant Art Director, (Set) Bob Cartwright; Draughtsmen,
(Chief) Jack Maxsted, C. Bishop, B. Grimes.
Editing Department: Editor, Jean Barker; 1st Assistant, Les Wiggins; Other Assistant, Jack Gardner; Dubbing Editor, Harry Miller; Assistant. B. Rodwell.
Production Department: Production Manager, Roy Goddard ; 1st Assistant Director, Stanley Hosgood ; 2nd Assistant Director, Kip Gowans; 3rd Assistant Director, Patrick Clayton; Continuity, Kathleen Hosgood.
Stills Department: Still Cameraman, Ian Jeayes.
Production Secretary: Jean Tisdall, Dress D< signer: Julie Harris.
THE SECRET OF THE FOREST
Year of Production : 1955.
Studio: Location and Bushey Studios.
Laboratory: Humphries Laboratories.
Producing Company: Rayant Pictures Ltd.
Producer: Anthony Gilkison.
Stars: Michael Balfour, Arthur Lovegrove, Vincent Ball.
Director: Darcy Conyers.
Scenarists : Gerry Bryant and Darcy Conyers.
Camera Department: Lighting Cameraman, Sydney Samuelson ; Camera Operator, Denis Fox ; 1st Camera Assistant (Focus), Peter Sandford ; Other Camera Assistant, Charles Gordon.
Sound Department: Recordist (Mixer), Frank Flvnn: Sound Camera Operator, Anvil Films Ltd. ; Boom Operator, Ted Belcher; Dubbing Crew, Anvil Films Ltd. — Ken Cameron.
Editing Department: Supervising
Editor, John Reeve; Editor, John Reeve; 1st Assistant, Rosemary MacLoughlin; Other Assistant, Anne Hutchinson; Dubbing Editor, John Reeve.
Production Department: Production Manager, Laurie Hardie Brown; 1st Assistant Director, Will' Partington; 2nd Assistant Director, Billy Asher; Location Manager, Ted Deason; Continuity, Doris Martin.
THE FEMININE TOUCH
Year of Production: 1955.
Studio: Ealing Studios.
Laboratory: Denham.
Producing Company: Ealing Sludios Ltd.
Producer: Sir Michael Balcon.
Associate Producer: Jack Rix.
Stars: George Baker, Belinda Lee, Delphi Lawrence, Adrienne Corri, Mandy. Diana Wynyard.
Director: Pat Jackson.
Camera Department: Lighting Cameraman. Paul Beeson; Camera Operator, Hugh Wilson; Technicolor Technician. G. E. Minassian; Assistant. A. E. Spratling; Clappers and Loader, Michael Shepherd.
Sound Department: Recordist (Mixer), Charles Poulton; Sound Camera Operator, Peter Lacey; Boom Operator, Cyril Swern : Boom Assistant. Michael Sale; Duhbing Crew, Stephen Dalby, Ray Palmer, E. Stockl.
Art Department: Art Director, E. Carrick; Assistant Art Director. Len Wills.
Editing lit part ini nt : Editor, Peter Bezencenet ; 1st Assistant, R. Coppleman ; Other Assistant, Ivor Selwvn; Dubbing Editor. Lionel Selwvn.
Production lit part mint Unit Production Manager. Norman Priggen; 1st Assistant Director. David Middlemas: 2nd Assistant Director, Christopher I'.ari'N :ird Assistant Director, Julian Mackintosh; Continuity, Jean
Graham.
Stills Depat i mt ni ■ still Cameraman, Rov Gough.
A MAN ON THE BEACH
Year of Production : 1955.
Studio: Bray.
Laboratory: Humphries.
Producing Company: Hammer Film Productions Ltd.
Producer: Anthony Hinds.
Stars: Donald Wolflt. Michael Medwin.
Director: Joseph Losey.
Scenarist: Jimmy Sangster.
Camera Department: Location Cameraman, Len Harris; Lighting Cameraman, Wilkie Cooper; Camera Operator, Len Harris; 1st Camera Assistants (Focus), Harry Ookes, Brian West; Other Camera Assistant. Mark Hyams; Second Camera Operator, Harry Oakes.
Sound Department: Recordist (Mixer), W. H. P. May; Sound Camera Operator, Charles Bouvet ; Boom Operator. Barrie Copeland; Dubbing Crew. Anvil Films Ltd., Beaeonsrield Studios; Sound Maintenance, John Woodiwiss.
Art Department: Art Director. Edward Marshall; Draughtsman, Donald Mingaye.
Editing Department: Editor. Henry Richardson; 1st Assistant, Maureen Lester.
Production D< part m> nt : Production Manager and /or Unit Production Manager. Mickv Delamar; 1st Assistant Director, Denis Bert era: Continuitv. Doreen Dearnaley; Production Secretary, Doreen Soan.
Stills Department: Still Cameraman. Tom Edwards.
A TOWN LIKE ALICE
Year of Production: 1955.
Studio : Pinewood.
Laboratory: Rank Laboratories (Denham) Ltd.
Producing Company: J. Arthur Rank Productions Ltd.
Producer: Joseph Janni.
Production Controller: Arthur Alcott.
Stars: Virginia McKenna. Peter Finch.
Director: Jack Lee.
Scenarists: W. P. Lipscomb and Richard Mason.
Camera Department: Lighting Cameraman, Geoff Unsworth: Camera Operator. Jack Atcheler; 1st Camera Assistant (Focus), John Alcott: Other Camera Assistant, Bernard Ford.
Sauml Hi pai t mi nt Recordist (Mixer), i;,Miffrc\ Daniels Sound Camera Operator, Charlie Arnold: Boom Operator. Mora\ MacFaiiane ; Room
Assistant W R. Stanton; Dubbing ■ 'lew. Cordon K. McCallum. W. Daniels. C. le Messurier: Music. Ted 1 irake
Art Department: Draughtsmen, Lionel Couch (Chief), Terry Marsh.
Editing Department: Editor. Sid Havers; 1st Assistant, Roy Fry; Other Assistant, Rill Tout; Dubbing Editors. Harry Miller. Archie Ludski; Dubbing Assistants. Barbara Rodwell. Chris Lancaster.
Production Department: Production Manager. Jack Hanbury: 1st Assistant Director. David Orton; 2nd Assistant Director, Harold Orton; 3rd Assistant Director, Peter Carey; Continuity, Joan Davis: Assistant Con tinuity, Penny Daniels: Production Secretary, Jeanette Green.
Stills i>t partim nt Sull Cameraman,
Han\ Cillard