The Cine Technician (1953-1956)

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July 1956 CINE TECHNICIAN 109 Guide to British Film TARZAN AND THE LOST SAFARI Year of Production: 1956. Studio: A.B.P.C., Elstree Studio, Boreham Wood. Laboratory: Humphries Laboratories. Producing Company: Solar Film Productions Ltd. Executive Producer: N. Peter Rathvon. Producer: John Croydon. Stars: Gordon Scott, Robert Beatty, Yolande Donlan, Wilfred Hvde White. Betta St. John, Peter Arne, George Coulouris. Director: Bruce Humberstone. Scenarists: Montgomery Pittman, Lillie Hayward. Camera Department: Lighting Cameraman, C. Pennington Richards; Camera Operator, Norman Warwick: 1st Camera Assistant (Focus), Kelvin Pike; Other Camera Assistant, Robert Stillwell; Second Camera Operator, Austin Dempster. Sound Department: Recordist (Mixer), L. Hammond ; Sound Camera Operator, G. Lee; Boom Operator, D. Whitlock; Boom Assistant, D. Jones; Maintenance, J. Lovelock; Dubbing Crew. L. Shilton, L. Abbott, M. Strain, G. Hooton, M. Bradbury. Art Department: Production Designer, Paul Sheriff; Art Director, Geoffrey Drake; Draughtsmen, Peter Glazier, Norman Dorme. Editing Department: Editor, Bill Lewthwaite; 1st Assistant, Eva Catchpole; Other Assistant, Stanley Trott ; Dubbing Editor, Arthur Southgate. Production Department: Production Manager, Cecil R. Foster Kemp; 1st Assistant Director, Fred Slark; 2nd Assistant Director, Ross Mackenzie; 3rd Assistant Director. David Mycroft; Continuity, June Faithfull; Production Secretary, G. Offenheim. Stills Department: Still Cameraman George Higgins. Special Processes: T. Howard and G Blackwell (Models, Miniatures Mattes). JOHNNY YOU'RE WANTED Year of Production: 1955. Studio: Nettlefold Studios. Laboratory: Denham Laboratories Ltd. Producing Company: Anglo Amalgamated Film Distributors Ltd. Producer: George Mavnard. Stars: John Slater," Alfred Marks. Garry Marsh. Director: Vernon Sewell. Scenarist: Michael Leighton. Camera Department: Lighting Cameraman, B. Emmott ; Camera Operator, G. Knight ; 1st Camera Assistant (Focus), A. Hall: Other Camera Assistant, H. Cull. Sound Department: Recordist (Mixer), C. Sandall; Sound Camera Operator. F. Goodis; Boom Operator, B. Harris; Other Assistant (Maintenance), M. Bassett. Art Department: Art Director, J. Stoll. Editing Department: Editor, P. Johnson; 1st Assistant, M. Coton. Production Department: Production Manager and Unit Production Manager, W. Pearson: 1st Assistant Director, R. Good; 2nd Assistant Director. F. Ernst; Continuity, R. Davidson. Makers THE MARCH HARE Year of Production: 1955. Studio: Shepperton. Laboratory: Humphries. Producing Company: Achille Film Productions Ltd. Producers: B. M. Ostrer, A. F. Fennell. Stars: Peggy Cummins, Terence Morgan, Wilfred Hyde White. Mar tita Hunt, Cyril Cusack. Director: George More O'Ferrall. Scenarists: Gordon Wellesley, Alan Mackinnon. Additional Dialogue: Paul Vincent Carroll. Camera Department: Lighting Cameraman, Jack Hildyard; Camera Operator, Peter Newbrook; 1st Camera Assistants (Focus), C. P. Davies A. Hall; Other Camera Assistants, M. Sarafian, R. Etherington. Sound Department: Recordist (Mixer), A. T. Ambler; Sound Camera Operator, D. Tate; Boom Operator. K. Ritchie: Other Assistant, E. Vincent; Dubbing Crew, E. Law, R. Jones, E. Webb. B. Hopkins. Art Department: Art Director, Anthony Masters: Assistant Art Director. M. Fowler; Draughtsmen. T. Woollard, F. Wilson, W. Hutchinson; Dress Designer, Julie Harris. Editing Department: Editor, Gordon Pilkington; 1st Assistant, N. Savage; Other Assistant, Alan Killick; Dubbing Editor, E. Mason; Assistant Editor. J. Lee. Production Department: Production Manager and/or Unit Production Manager. A. S. Becket ; 1st Assistant Director. J. Pellatt; 2nd Assistant Director, J. Oldknow; 3rd Assistant Director, H. Emery; Continuity. Betty Forster; Production Secretary, Maureen Whitty; Assistant Production Secretary, Anne More O'Ferrall. Stills Department: Still Cameraman. J. Hardman. Publicity Department: Publicity Director, Jean Osborne. (Second Unit) Camera Staff: Lighting, Cyril Knowles; Operators, G. Moss, R. F. Dav, H. Havsom, D. Lovell ; Assistants, S. D. Fox, J. R. Mantell, R. Sandford, R. Parker, P. Wilson, R. Pope. Gerry Fisher also operated one day. Production Staff: 1st Assistants, D. Hermes, P. Price; Continuity, G. Goldsmith. Additional Sound Department Staff employed on Transfers, Post Synchronisation. Effects and Music: A. Blay. N. Bolland, J. Davies, J. Doolev. P. Dukelow, A. Gibbs, P. Myers. F. Newton. D. Nisbett. A. Ross, J. Smart. R. Smith. G. Stephenson. A. Thorne, G. Widdows. KEEP IT CLEAN Year of Production: 1955. Studio: Nettlefold. Laboratory: Kays. Producing Company: Marksmen Films Ltd. Producers: Maxwell Setton, John Sloan. Stars: Ronald Shiner, Ursula Howells, Diane Hart, Colin Gordon. James Hayter, Jean Cadell, Benny Lee, Tonia Bern. Director: David Paltenghi. Scenarists: Carl Nystron and R. F. Delderfield. Camera Department: Lighting Cameraman, Wilkie Cooper; Camera Operator, Bernard Lewis ; 1st Camera Assistant (Focus), W. Smith; Other Camera Assistant, J. Shinerock. Sound Department: Recordist (Mixer), W. Lindop; Sound Camera Operator, H. Raynham ; Boom Operator, F. Bryan ; Floor Maintenance, C. Earl; "Dubbing Crew, Red Law, B. Hopkins, Basil Rootes; Dubbing Maintenance, D. Edwards. Art Department: Art Director, John Stoll; Assistant Art Director, A. Masters; Draughtsman, H. Smith. Editing Department : Editor, John Pomeroy ; Assembly Cutter, Roy Norman; 1st Assistant. Alma Godfrey; Other Assistant. Mary Holder: Dubbing Editor. Alf Cox. Production Department: Production Managers, Jack Martin, Jack Hicks; 1st Assistant Director, Gus Agosti; 2nd Assistant Director, John Draper; 3rd Assistant Director, J. Lester: Continuity, Vera Stewart, Angela Allen; Production Secretary, Sheila Neal. Stills Department: Still Cameraman, Eric Grey. Special Processes: Special Effects, Bowie & Margutte. Publicity Director: Miss Fisher. (Continued on page 110) Camera Hire NEWMAN SINCLAIR— Mirror Shutter, Cooke Lenses and 24mm. Angineux Wide Angle. (Available fully adaptedfor CI NEMASCOPE if required). NEWMAN SINCLAIR— Model 'G'. Cooke Lenses, Single Frame Exposure and electric motor drive if required. Kingston Tubular Tripods. LOCATION CAMERA DOLLYS Metal construction, pneumatic tyres, drop-down jacks, lightweight tracks, etc. S.W.SAMUELSON FINchley 1595