Classics of the silent screen (1959)

Record Details:

Title:
Classics of the silent screen
Date:
1959
Publisher:
New York : The Citadel Press
Volume:
Classics of the silent screen
Leaf #:
00041
Language:
English
Collection:
Books
Format:
Books
Contributor:
Niles Essanay Silent Film Museum
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Date Added:
March 21, 2024
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And as Zorro, Doug proves more than a match for Garcia every time the two cross swords. As the famous Mexican Robin Hood, Doug had a chance to masquerade as a fop, with many delightful comedy touches of his own— touches quite missing from Tyrone Power's stylish but stolid remake— and to spring into frequent action as Zorro, crusader for the rights of the oppressed Mexicans. There are a couple of fine duel sequences, and a wonderful chase towards the end, in which Doug eludes his pursuers with some fantastic acrobatics. Marguerite de la Motte, one of Doug's favorite leading ladies, was in the unenviable position of despising Doug the fop (whom her parents want her to marry ) , loving Doug the daredevil ( not knowing that Zorro and Don Diego are one and the same ) and being loved by slimy Robert McKim, who doesn't object to marrying her, but is determined to get her any way he can. McKim, fine old Ince villain, was about the only player in The Mark of Zorro, who took any of it seriously. Certainly the film's No. 1 villain, Noah Beery, didn't; indeed, after being continually bested by the intrepid Zorro, he threw down his sword at the end and jovially decided to be friends with the masked hero. 35