Close Up (Jul-Nov 1927)

Page scan 00027 from Close Up

Record Details:

Title:
Close Up
Date:
Jul-Nov 1927
Publisher:
[London, etc., Pool]
Volume:
Close up ... devoted to the art of films
Leaf #:
00027
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Switzerland, Early Cinema, and Global Cinema
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
As an active film magazine, CLOSE UP lasted only a short time, from 1927 to 1933. Yet the legacy of this English-language periodical, which was published in Switzerland, continues to matter. Edited by Bryher and her husband Kenneth Macpherson, CLOSE UP became THE magazine for energetic debates about the nature of cinema and manifestos imagining new forms of filmmaking and spectatorship. The magazine published articles by filmmakers, such as Sergei Eisenstein, and female literary modernists, such as H.D. and Gertrude Stein. As film scholar Anne Friedberg explains in the anthology CLOSE-UP, 1927-1933: CINEMA & MODERNISM, 'CLOSE UP became the model for a certain type of writing about film -- writing that was theoretically astute, politically incisive, critical of films that were simply 'entertainment.' For six and a half years, CLOSE UP maintained a forum for a broad variety of ideas about the cinema; it never advocated a single direction of development, but rather posed alternatives to existing modes of production, consumption, and film style.' Like Friedberg's own writing, CLOSE UP continues to be essential reading for anyone interested in the history of film and media theory. -- Eric Hoyt, 2014
Date Added:
June 20, 2024
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CLOSE UP * H« * I want to arrange that people making films, and experimenting in all sorts of ways shall be able to see what others are doing in the same way. Which means public showing, in Paris and London, one hopes. But it is not possible quite yet to arrange this, not until the rapport is established and people coming forward with filmxS and suggestions. A great deal depends upon this rapport, or support. I hope that people enthusiastic over the idea will write, because it seems to me, the thing to do would be to form some sort of society, with definite plans about performances at fixed dates, each chosen film to go the rounds in Paris, London, Berlin, New York, Vienna. This will take time, but one does hope to begin, not too far ahead, with something of the sort. I am going to chew it over during the month, and next month write more fully, as now space is limited. Somehow something must be done to give films their due. The first two numbers of Close Up will deal with the film problem as a whole. After that we propose in each issue to deal with special conditions in Europe and the States with numbers on the Negro attitude and problem and on the Far East in their relation to the cinema. Kenneth Macpherson. 15