Close Up (Jul-Nov 1927)

Page scan 00066 from Close Up

Record Details:

Title:
Close Up
Date:
Jul-Nov 1927
Publisher:
[London, etc., Pool]
Volume:
Close up ... devoted to the art of films
Leaf #:
00066
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Switzerland, Early Cinema, and Global Cinema
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
As an active film magazine, CLOSE UP lasted only a short time, from 1927 to 1933. Yet the legacy of this English-language periodical, which was published in Switzerland, continues to matter. Edited by Bryher and her husband Kenneth Macpherson, CLOSE UP became THE magazine for energetic debates about the nature of cinema and manifestos imagining new forms of filmmaking and spectatorship. The magazine published articles by filmmakers, such as Sergei Eisenstein, and female literary modernists, such as H.D. and Gertrude Stein. As film scholar Anne Friedberg explains in the anthology CLOSE-UP, 1927-1933: CINEMA & MODERNISM, 'CLOSE UP became the model for a certain type of writing about film -- writing that was theoretically astute, politically incisive, critical of films that were simply 'entertainment.' For six and a half years, CLOSE UP maintained a forum for a broad variety of ideas about the cinema; it never advocated a single direction of development, but rather posed alternatives to existing modes of production, consumption, and film style.' Like Friedberg's own writing, CLOSE UP continues to be essential reading for anyone interested in the history of film and media theory. -- Eric Hoyt, 2014
Date Added:
June 20, 2024
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CLOSE UP * * * A point for England. Here is the excellent FILM SOCIETY doing its best to get across good and out of the way films. On all of these it pays enormous duty. Now why shouldn't all the big towns, Birmingham, Liverpool etc., have their own film societies ? And why not get their heads together, show the same films, and share on costs, thereby each being freed of enormous output ? And think of the benefit of disseminating good stuff across the provinces. It is one of those things that might very easily (once really under way) work wonders. Will anyone get down to it ? * * * One often wants to see films one has missed. It is never possible. After a year or two they are as dead as a doornail. Some enterprising person might pull strings so that the best survived, and more than that, were shown. A special theatre might not work (although it might) but revival weeks surely would. "This film" might be flashed on " will be shown again in 1928 and 1929 and any subsequent year for one performance only upon demand." Or something of the sort. At any rate it should not be quite so impossible to see old films. So often one is away or travelling, and just misses or has just missed some film one wanted particularly to see. If it could be felt that some organisation made it possible to be seen 54