Close Up (Jul-Nov 1927)

Record Details:

Title:
Close Up
Date:
Jul-Nov 1927
Publisher:
[London, etc., Pool]
Volume:
Close up ... devoted to the art of films
Leaf #:
00097
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Global Cinema, Switzerland, and Early Cinema
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
As an active film magazine, CLOSE UP lasted only a short time, from 1927 to 1933. Yet the legacy of this English-language periodical, which was published in Switzerland, continues to matter. Edited by Bryher and her husband Kenneth Macpherson, CLOSE UP became THE magazine for energetic debates about the nature of cinema and manifestos imagining new forms of filmmaking and spectatorship. The magazine published articles by filmmakers, such as Sergei Eisenstein, and female literary modernists, such as H.D. and Gertrude Stein. As film scholar Anne Friedberg explains in the anthology CLOSE-UP, 1927-1933: CINEMA & MODERNISM, 'CLOSE UP became the model for a certain type of writing about film -- writing that was theoretically astute, politically incisive, critical of films that were simply 'entertainment.' For six and a half years, CLOSE UP maintained a forum for a broad variety of ideas about the cinema; it never advocated a single direction of development, but rather posed alternatives to existing modes of production, consumption, and film style.' Like Friedberg's own writing, CLOSE UP continues to be essential reading for anyone interested in the history of film and media theory. -- Eric Hoyt, 2014
Date Added:
August 29, 2022
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CLOSE UP of hours of pie-slinging or glycerine and scorn and virginity complexes, and arrive at last before the title of the thing he has come to see too spent and out of key to be able to appreciate it. If one is careful with arranging beforehand, it is true this need not happen. But how much more charming and easy if we — the minority could just walk into a theatre, one particular theatre, haphazardly as the majority wanders into its many theatres, knowing we would see films which, even if we did not always like, would be stimulating to mind and perception. Kenneth Macpherson. BRITISH SOLECISMS Written by a member of one of the leading British Film Studios this article contains some inside facts which cannot be disputed. There is no malicious feeling. All who desire good British films must know the kind of thing they are up against as it is only by such knowledge that any success either artistically or commercially can be brought about. (T)d.). Everyone is talking of a revival of British films. The phrase is hardly felicitous. Where in the history ofBritish pictures are to be found films with the aesthetic merits of "Caligari" ; '^Warning Shadows" ; or "The Last Laugh" ? 17