Close Up (Jul-Nov 1927)

Record Details:

Title:
Close Up
Date:
Jul-Nov 1927
Publisher:
[London, etc., Pool]
Volume:
Close up ... devoted to the art of films
Leaf #:
000105
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Switzerland, Early Cinema, and Global Cinema
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
As an active film magazine, CLOSE UP lasted only a short time, from 1927 to 1933. Yet the legacy of this English-language periodical, which was published in Switzerland, continues to matter. Edited by Bryher and her husband Kenneth Macpherson, CLOSE UP became THE magazine for energetic debates about the nature of cinema and manifestos imagining new forms of filmmaking and spectatorship. The magazine published articles by filmmakers, such as Sergei Eisenstein, and female literary modernists, such as H.D. and Gertrude Stein. As film scholar Anne Friedberg explains in the anthology CLOSE-UP, 1927-1933: CINEMA & MODERNISM, 'CLOSE UP became the model for a certain type of writing about film -- writing that was theoretically astute, politically incisive, critical of films that were simply 'entertainment.' For six and a half years, CLOSE UP maintained a forum for a broad variety of ideas about the cinema; it never advocated a single direction of development, but rather posed alternatives to existing modes of production, consumption, and film style.' Like Friedberg's own writing, CLOSE UP continues to be essential reading for anyone interested in the history of film and media theory. -- Eric Hoyt, 2014
Date Added:
August 29, 2022
Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

CLOSE UP I think it is what I said what I reorganised in mounting her. I mounted her there. Deliberate. She has a son not a son he was a thicker one. I go on. Begun. Bessie is like Bertha. I can see that if you did the reason would be that there was certainty. If heating is beside the meal and the selection of masterpieces makes communication, communication is ardently rechosen, communication is suddenly respected, communication is suddenly resitmed, communication is suddenly rested, communication is suddenly respected, communication is suddenly respected, communication is suddenly chosen communication is suddenly chosen. No use, no use in resolving that Bertha is piled, no reason in slackening, that is a word, that is a word severely, of no do not deceive the more important asking if you have never been to a collection of repeated references. I do not say that green is believed to be that colour. I do not say that green makes lips, I do not say that they colour stations, I do not say that she would spread it into I hope that I believe that I select that I retain. I hope that no occurence and no surprise and no concerning question. I do not wish to hear it again. Oh well not now anjway. You do say it. Oh cannot you see that the price is allowed that the complete wrecking of louder sounds. I cannot help it, Bessie is like Bertha, I see the resemblance I resolve to silence confusions I shall believe no pointed sin 25