Close Up (Jul-Nov 1927)

Page scan 000194 from Close Up

Record Details:

Title:
Close Up
Date:
Jul-Nov 1927
Publisher:
[London, etc., Pool]
Volume:
Close up ... devoted to the art of films
Leaf #:
000194
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Switzerland, Early Cinema, and Global Cinema
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
As an active film magazine, CLOSE UP lasted only a short time, from 1927 to 1933. Yet the legacy of this English-language periodical, which was published in Switzerland, continues to matter. Edited by Bryher and her husband Kenneth Macpherson, CLOSE UP became THE magazine for energetic debates about the nature of cinema and manifestos imagining new forms of filmmaking and spectatorship. The magazine published articles by filmmakers, such as Sergei Eisenstein, and female literary modernists, such as H.D. and Gertrude Stein. As film scholar Anne Friedberg explains in the anthology CLOSE-UP, 1927-1933: CINEMA & MODERNISM, 'CLOSE UP became the model for a certain type of writing about film -- writing that was theoretically astute, politically incisive, critical of films that were simply 'entertainment.' For six and a half years, CLOSE UP maintained a forum for a broad variety of ideas about the cinema; it never advocated a single direction of development, but rather posed alternatives to existing modes of production, consumption, and film style.' Like Friedberg's own writing, CLOSE UP continues to be essential reading for anyone interested in the history of film and media theory. -- Eric Hoyt, 2014
Date Added:
June 20, 2024
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CLOSE UP There is no reason why additionally in wandering there should be any wandering away from there being attracted as much to-day as any day that they are attracted by me in every way. Admittedly it is very delightful that there is every reason why they are delighted and attracted and charmed by me in every way. (Continuation in the October issue.) Gertrude Stein, LA FACE HUMAINE A L^ECRAN I LE FRONT. Ce que Leonard de Vinci, dans son Traite de la peinture^ avait dit du corps humain pour Teducation des peintres, reste ici le seul et insufhsant modele. Le progres de Texpression humaine au cinema a sans cesse ete de rendre expressifs des mouvement de plus en plus petits. Comme Tecran est un verre grossissant, je voudrais tenter d'etudier dans le plus grand 28