Close Up (Jul-Nov 1927)

Record Details:

Title:
Close Up
Date:
Jul-Nov 1927
Publisher:
[London, etc., Pool]
Volume:
Close up ... devoted to the art of films
Leaf #:
000480
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Global Cinema, Switzerland, and Early Cinema
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
As an active film magazine, CLOSE UP lasted only a short time, from 1927 to 1933. Yet the legacy of this English-language periodical, which was published in Switzerland, continues to matter. Edited by Bryher and her husband Kenneth Macpherson, CLOSE UP became THE magazine for energetic debates about the nature of cinema and manifestos imagining new forms of filmmaking and spectatorship. The magazine published articles by filmmakers, such as Sergei Eisenstein, and female literary modernists, such as H.D. and Gertrude Stein. As film scholar Anne Friedberg explains in the anthology CLOSE-UP, 1927-1933: CINEMA & MODERNISM, 'CLOSE UP became the model for a certain type of writing about film -- writing that was theoretically astute, politically incisive, critical of films that were simply 'entertainment.' For six and a half years, CLOSE UP maintained a forum for a broad variety of ideas about the cinema; it never advocated a single direction of development, but rather posed alternatives to existing modes of production, consumption, and film style.' Like Friedberg's own writing, CLOSE UP continues to be essential reading for anyone interested in the history of film and media theory. -- Eric Hoyt, 2014
Date Added:
August 29, 2022
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CLOSE UP tions de I'epaisseur des levies et de leur passage Tune sur r autre derivent de la facon la plus simple toutes les expressions de la sensualite. II est assez curieux que, alors que cette mimique est Tune des plus perfectionnee chez I'homme et chez renlant. elle soit restee rudimentaire a Tecran. Enlin bien des experiences ont montre que toutes les mimiques qui veulent representer la parole sont fort dangereuses. Elles peuvent prendre quelque majeste et quelque \agueur dans un effet d'ensemble, et encore il taut qu'elles soient dominees par des expressions du visage ; mais le Chant de Noel de Chaplin et la Alarseillaise de Gance sont des modeles si difficiles a imiter qu ils peuvent bien passer pour des exceptions. Teax Prevost. FROM A WORK IN PROGRESS THROUGH A BLUE GLASS" LIGHTS" That gentleman shouting for hghts is not reciting Shakespeare. He is the camera man, or hghting expert , haranguing the electricians in a queer jargon of technicahties and corrosive expletives.