Close Up (Jul-Nov 1927)

Page scan 000503 from Close Up

Record Details:

Title:
Close Up
Date:
Jul-Nov 1927
Publisher:
[London, etc., Pool]
Volume:
Close up ... devoted to the art of films
Leaf #:
000503
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Switzerland, Early Cinema, and Global Cinema
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
As an active film magazine, CLOSE UP lasted only a short time, from 1927 to 1933. Yet the legacy of this English-language periodical, which was published in Switzerland, continues to matter. Edited by Bryher and her husband Kenneth Macpherson, CLOSE UP became THE magazine for energetic debates about the nature of cinema and manifestos imagining new forms of filmmaking and spectatorship. The magazine published articles by filmmakers, such as Sergei Eisenstein, and female literary modernists, such as H.D. and Gertrude Stein. As film scholar Anne Friedberg explains in the anthology CLOSE-UP, 1927-1933: CINEMA & MODERNISM, 'CLOSE UP became the model for a certain type of writing about film -- writing that was theoretically astute, politically incisive, critical of films that were simply 'entertainment.' For six and a half years, CLOSE UP maintained a forum for a broad variety of ideas about the cinema; it never advocated a single direction of development, but rather posed alternatives to existing modes of production, consumption, and film style.' Like Friedberg's own writing, CLOSE UP continues to be essential reading for anyone interested in the history of film and media theory. -- Eric Hoyt, 2014
Date Added:
June 20, 2024
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CLOSE UP made of long ago seafarings or fights, like the statues men made through these myths, of pure ideas. And people clamour that films are not art ! No play I have ever seen or read has affected me so profoundly as Joyless Street or Jeanne Ney. I wanted to cry out at each, I know this, I know that beauty is a gull in a storm, I know exactly how destructive human hunger can be, but knowing this, if one is to live, there is a limit to endurance of vision. For to watch them is to face what all if they could, would willingly forget. Bryher. CONTINUOUS PERFORMANCE VI THE INCREASING CONGREGATION It is the London season. Not a day must be lost nor any conspicuous event. And the cinema, having been first a nine months wonder and then, almost to date, a perennial perplexity, matter for public repuditation mitigated by private and, with fair good fortune, securely invisible patronage, is now part of our lives, ranks, as a topic, alongside the theatre and there are Films that must be seen. We go. No Ion