Close Up (Jul-Nov 1927)

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CLOSE UP There is another subtle moment when she is seen again, only in daylight, at the window, a long, shallow window, with rain pouring down. Her husband, finally exasperated, is again going off. He leaves. You do not see the door because a curtain is hung across the passage. But you see the curtain billow up, and sink back as the door slams. Then the wife suddenly runs out after him. She leaves the door open, you can tell this because again the curtain blows up, and papers lift, then blow off the table. Her feet are seen running past the window. They come back together, both dripping with rain. We have discovered at last w^hat it is, why her brooding has become more intense. She has gone to an hospital to stop motherhood. We would remind Close Up readers again, that birth control is completely legalised in Russia. Films, showing in detail the dangers of irregular abortion are freely shown, and all information supplied. While waiting her turn, clearly ver^^ frightened, she sees from the window first a baby in a pram, then a child with a doll. These two symbols came like a hit between the eyes. Until this moment everything had been stark, exact and undeniable. Suddenly we were back with the old technique, the old sentimentahty. Suddenly the psychology was going to bits. Until this moment her type had been remorselessly painted in, so that you felt now that the sight of a baby at such a time would repel her ; would shake her certainly. Here was no type of motherhood. She was far too self -centered, too occupied with her ow^n needs to feel anything but phys 72