Close Up (Jul-Nov 1927)

Record Details:

Title:
Close Up
Date:
Jul-Nov 1927
Publisher:
[London, etc., Pool]
Volume:
Close up ... devoted to the art of films
Leaf #:
000518
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Switzerland, Early Cinema, and Global Cinema
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
As an active film magazine, CLOSE UP lasted only a short time, from 1927 to 1933. Yet the legacy of this English-language periodical, which was published in Switzerland, continues to matter. Edited by Bryher and her husband Kenneth Macpherson, CLOSE UP became THE magazine for energetic debates about the nature of cinema and manifestos imagining new forms of filmmaking and spectatorship. The magazine published articles by filmmakers, such as Sergei Eisenstein, and female literary modernists, such as H.D. and Gertrude Stein. As film scholar Anne Friedberg explains in the anthology CLOSE-UP, 1927-1933: CINEMA & MODERNISM, 'CLOSE UP became the model for a certain type of writing about film -- writing that was theoretically astute, politically incisive, critical of films that were simply 'entertainment.' For six and a half years, CLOSE UP maintained a forum for a broad variety of ideas about the cinema; it never advocated a single direction of development, but rather posed alternatives to existing modes of production, consumption, and film style.' Like Friedberg's own writing, CLOSE UP continues to be essential reading for anyone interested in the history of film and media theory. -- Eric Hoyt, 2014
Date Added:
June 20, 2024
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CLOSE UP sion waiting for a beau to ask her to dance, and immediately revealed again that buoyant and witty charm so exclusively her own, the fact that everybody was delighted became evident through immediate gurgles of affection from every part of the house. Wilhelm Dieterle gave support. Now and again one waited for his morose unhappiness to lift in vain. A little contrast in mood would have deepened the effect of his brooding. Much of the suffering was unnecessary. COMMENT AND REVIEW An interesting experiment is to be made in Germany this winter when ten directors will choose a certain scene, direct it in their own way, and then contrast the differences of method. A second experiment will be the cutting of one particular scene by the same ten directors, again each in his own way. It would be highty fascinating to see the results of these experiments, and would afford a valuable work of reference to the young director, and indeed to all interested in the technical side of the screen. Kyser is making a film at the Neubabelsberg studios financed by and for the Lutheran church. We wandered in on a 76