Close Up (Jan-Jun 1928)

Page scan 000564 from Close Up

Record Details:

Title:
Close Up
Date:
Jan-Jun 1928
Publisher:
[London, etc., Pool]
Volume:
Close up ... devoted to the art of films
Leaf #:
000564
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Switzerland, Early Cinema, and Global Cinema
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
As an active film magazine, CLOSE UP lasted only a short time, from 1927 to 1933. Yet the legacy of this English-language periodical, which was published in Switzerland, continues to matter. Edited by Bryher and her husband Kenneth Macpherson, CLOSE UP became THE magazine for energetic debates about the nature of cinema and manifestos imagining new forms of filmmaking and spectatorship. The magazine published articles by filmmakers, such as Sergei Eisenstein, and female literary modernists, such as H.D. and Gertrude Stein. As film scholar Anne Friedberg explains in the anthology CLOSE-UP, 1927-1933: CINEMA & MODERNISM, 'CLOSE UP became the model for a certain type of writing about film -- writing that was theoretically astute, politically incisive, critical of films that were simply 'entertainment.' For six and a half years, CLOSE UP maintained a forum for a broad variety of ideas about the cinema; it never advocated a single direction of development, but rather posed alternatives to existing modes of production, consumption, and film style.' Like Friedberg's own writing, CLOSE UP continues to be essential reading for anyone interested in the history of film and media theory. -- Eric Hoyt, 2014
Date Added:
June 20, 2024
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CLOSE UP Dona J nana. Ufa in conjunction with Elizabeth Bergner's Poetic Film Company. Direction Paul Czinner. Photography by Carl Freund. From the Spanish of Tirzo da Molina. Elizabeth Bergner. Walter Rilla. Bed and Sofa (Trots dans un Sons-Sol). Sud film A. G. IyUdmila Semenova, Woldemar Fogel and Nicolei Bataloff . The Potemkin method applied to domestic drama. Amazing psychology. Uncompromising treatment. Directed by Alexander Room. The End of St. Petersburg. Another triumph for Pudowkin, maker of The Mother. MeschrabpomRuss. Film, for Derussa. Mss. Natan Zarchi. Photography : Anatoli i Golownia. Sets : Koslowski. Played by Baranowskaia, W. Oblensky, as L,edebeff. J. Tschuwileff and A. Tschistiakoff. The Mother. From the story by Maxim Gorki. Meschrabpom-Russ-Production. Direction W. Pudowkin. The mother : W. Baranowskaias. The father : Leinstiakoff. The son : Nicolei Bataloff. No reason for censorship as its lesson is far greater than merely political. The Black Sunday. Production Goskino. Direction Wiskowski. A second Potemkin, continuing the story of the 1905 revolution. If possible more realistic in treatment than Potemkin, though less masterly in appeal. The Postmaster. Meschrabpom-Russ-Production. From the novel by Pouschkin. Directed by Jeliaboujski and Moskvine, vith Moskvine in the leadmg role and, Ta 88