Close Up (Jul-Dec 1928)

Record Details:

Title:
Close Up
Date:
Jul-Dec 1928
Publisher:
[London, etc., Pool]
Volume:
Close up ... devoted to the art of films
Leaf #:
00020
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Switzerland, Early Cinema, and Global Cinema
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
As an active film magazine, CLOSE UP lasted only a short time, from 1927 to 1933. Yet the legacy of this English-language periodical, which was published in Switzerland, continues to matter. Edited by Bryher and her husband Kenneth Macpherson, CLOSE UP became THE magazine for energetic debates about the nature of cinema and manifestos imagining new forms of filmmaking and spectatorship. The magazine published articles by filmmakers, such as Sergei Eisenstein, and female literary modernists, such as H.D. and Gertrude Stein. As film scholar Anne Friedberg explains in the anthology CLOSE-UP, 1927-1933: CINEMA & MODERNISM, 'CLOSE UP became the model for a certain type of writing about film -- writing that was theoretically astute, politically incisive, critical of films that were simply 'entertainment.' For six and a half years, CLOSE UP maintained a forum for a broad variety of ideas about the cinema; it never advocated a single direction of development, but rather posed alternatives to existing modes of production, consumption, and film style.' Like Friedberg's own writing, CLOSE UP continues to be essential reading for anyone interested in the history of film and media theory. -- Eric Hoyt, 2014
Date Added:
July 25, 2024
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CLOSE UP For camera work, for uniformity, for tricks, for obvious sincerity oi purpose, for lovely pictures, for Joan herself, this picture has never been surpassed. But all the hopelessness of her case is -o much less hopeless than the one close up of the woman in Mother who simpering through lorgnettes at the trial r.i ^he bo\', whispers relisliingly to her neighbour "He's b > be convicted."" The whole film is told in the first five minutes. Kexxeth ]^1acphersox. AN INTERVIEAV : A. ROOM A. Room, who is noted among the Russian cinema directors for the independance and individuality of his ideas, is to be given charge of the direction of the first Russo-German fihn, for the D^vussa societ}' of Berlin. The film in question will be Boide de Suif of Maupassant. This well known story of the French novehst \^ill afford A. Room the chance to make the most of his incontestable talent as artist and director. Room's special gifts were particularly e^fident in his fihn Bed and Sola, which came afier The DeatJi Boat which had shown ahead}' great promise. He owes his master}^ to a per 10