Close Up (Jul-Dec 1928)

Page scan 00093 from Close Up

Record Details:

Title:
Close Up
Date:
Jul-Dec 1928
Publisher:
[London, etc., Pool]
Volume:
Close up ... devoted to the art of films
Leaf #:
00093
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Switzerland, Early Cinema, and Global Cinema
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
As an active film magazine, CLOSE UP lasted only a short time, from 1927 to 1933. Yet the legacy of this English-language periodical, which was published in Switzerland, continues to matter. Edited by Bryher and her husband Kenneth Macpherson, CLOSE UP became THE magazine for energetic debates about the nature of cinema and manifestos imagining new forms of filmmaking and spectatorship. The magazine published articles by filmmakers, such as Sergei Eisenstein, and female literary modernists, such as H.D. and Gertrude Stein. As film scholar Anne Friedberg explains in the anthology CLOSE-UP, 1927-1933: CINEMA & MODERNISM, 'CLOSE UP became the model for a certain type of writing about film -- writing that was theoretically astute, politically incisive, critical of films that were simply 'entertainment.' For six and a half years, CLOSE UP maintained a forum for a broad variety of ideas about the cinema; it never advocated a single direction of development, but rather posed alternatives to existing modes of production, consumption, and film style.' Like Friedberg's own writing, CLOSE UP continues to be essential reading for anyone interested in the history of film and media theory. -- Eric Hoyt, 2014
Date Added:
July 25, 2024
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CLOSE UP enhance the daily life. They no longer for one reason and another, amongst which the cinema is indisputably the foremost, it to their local lives as closely as of yore. Evidence of this change is to be found even in their bearing. The "yokel" is less of a lout than he was wont to be and the dairj^Tnaid even on workdays is indistinguishable from her urban counterpart. And though doubtless something is lost and the lyric poet is shedding many an unavailing tear, much undeniably is gained. These youths and maidens in becoming world citizens, in getting into communication with the unknown, become alsa recruits available, as their earth and-cottage-bound forbears never could have been for the world-wide conversations now increasingly upon us in which the cinema may play, amongst its numerous other roles, so powerful a part. Dorothy M. Richardson. NOTES Le Cinema gobe-mouches cree les heros a forfait et punit inlassablement les mechants. Entre ces deux categories il n'y a place pour personne. . . pas meme pour les neutres que nous sommes tons. ★ 57