Close Up (Jul-Dec 1928)

Page scan 000113 from Close Up

Record Details:

Title:
Close Up
Date:
Jul-Dec 1928
Publisher:
[London, etc., Pool]
Volume:
Close up ... devoted to the art of films
Leaf #:
000113
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Switzerland, Early Cinema, and Global Cinema
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
As an active film magazine, CLOSE UP lasted only a short time, from 1927 to 1933. Yet the legacy of this English-language periodical, which was published in Switzerland, continues to matter. Edited by Bryher and her husband Kenneth Macpherson, CLOSE UP became THE magazine for energetic debates about the nature of cinema and manifestos imagining new forms of filmmaking and spectatorship. The magazine published articles by filmmakers, such as Sergei Eisenstein, and female literary modernists, such as H.D. and Gertrude Stein. As film scholar Anne Friedberg explains in the anthology CLOSE-UP, 1927-1933: CINEMA & MODERNISM, 'CLOSE UP became the model for a certain type of writing about film -- writing that was theoretically astute, politically incisive, critical of films that were simply 'entertainment.' For six and a half years, CLOSE UP maintained a forum for a broad variety of ideas about the cinema; it never advocated a single direction of development, but rather posed alternatives to existing modes of production, consumption, and film style.' Like Friedberg's own writing, CLOSE UP continues to be essential reading for anyone interested in the history of film and media theory. -- Eric Hoyt, 2014
Date Added:
July 25, 2024
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CLOSE UP crophone at the theatre entrance and heralds by name each noted arrival, besides giving a brief description of the evening apparel of the feminine stars as they step from their limousines and pass thru the theatre courtyard. Frequently, too, these attending stars, as well as other prominent film folks, are induced to speak a few words of public greeting into the microphone. Within the theatre, under the direction of some Hollywood notable acting as master of ceremonies, the showing of the film is preceded by a special program of speeches or smiling bows from the personages connected with the picture. And altogether the affair is one to gladden the hearts of the publicity-loving film colonists and the hero-worshiping onlookers. The recent premiere of Drums of Love was invested with special interest, in that it was made the occasion for celebrating the twentieth year of Griffith's work as a director, as well as extending a welcome to this his first picture made in Hollywood after an absence in New York of several years. Cecil de Mille, his oldest brother director, acted as master of ceremonies, seconded by Charlie Chaplin, and w^as applauded in his tributes to Griffith by a brillant galaxy of Hollywood's first-magnitude stars. * The Hollywood Association of Foreign Correspondents is the latest of HoUjAvood's movie-born organizations. Only recently inaugurated, it already has a list of a hundred mem