Close Up (Jul-Dec 1928)

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CLOSE L'l Auditorium (more seats and more comfort). 7. Decoration. 8. The ideal screen. 9. The ideal projection-box. 10. The new acoustics. 11. Musicians and mechanized music. 12. The color problem. 13. The fover. 14. The entrance into tl^e auditorium. 15. The ticket box. IG. The facade. 17. The entrance. Frederick Kiesler. CECIL B. DE MILLE Xew York, autumn, 191 •). The particular da\' is immatericil. Two men are lingering over their luncli together, discussing plans for a new venture. One of them, at thirtv-three, is alreadv a veteran soldier of fortune. He has been a newspaper reporter in San Francisco ; a gold hunter in Alaska; a cornet player in a Honolulu orchestra; the manager for a prestidigitator in Xew York: and is now a vaudeville booking agent. The other, a vear \'otmger, the son of a dramatist and one-time college professor, is an actor in a Xew York stock companv. He has also played in road shows; has sung in light opera; has managed a theatrical companv; has written several plays; and has been an assistant producer, with David Belasco. Fach has worked hard to win a name for himself; but the big world has so far failed to recognise either of them. Instead, she h.as given both of them many rude bumps and 41