Close Up (Jul-Dec 1928)

Record Details:

Title:
Close Up
Date:
Jul-Dec 1928
Publisher:
[London, etc., Pool]
Volume:
Close up ... devoted to the art of films
Leaf #:
000205
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Switzerland, Early Cinema, and Global Cinema
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
As an active film magazine, CLOSE UP lasted only a short time, from 1927 to 1933. Yet the legacy of this English-language periodical, which was published in Switzerland, continues to matter. Edited by Bryher and her husband Kenneth Macpherson, CLOSE UP became THE magazine for energetic debates about the nature of cinema and manifestos imagining new forms of filmmaking and spectatorship. The magazine published articles by filmmakers, such as Sergei Eisenstein, and female literary modernists, such as H.D. and Gertrude Stein. As film scholar Anne Friedberg explains in the anthology CLOSE-UP, 1927-1933: CINEMA & MODERNISM, 'CLOSE UP became the model for a certain type of writing about film -- writing that was theoretically astute, politically incisive, critical of films that were simply 'entertainment.' For six and a half years, CLOSE UP maintained a forum for a broad variety of ideas about the cinema; it never advocated a single direction of development, but rather posed alternatives to existing modes of production, consumption, and film style.' Like Friedberg's own writing, CLOSE UP continues to be essential reading for anyone interested in the history of film and media theory. -- Eric Hoyt, 2014
Date Added:
July 25, 2024
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CLOSE UP We think it will interest our readers to know that among the films Avhich may be rented from Messrs. Wardour Ltd. for private showing (at two guineas) are the following : — Impetuous Youth (Czinner), The Waltz Dream, The Two Brothers, Faust, Wrath of the Gods, Cinderella, Secrets of the Soul, Metropolis, Prey of the Wind (Rene Clair), as well as many others, some of w^hich, of course, are worthless for the student of cinematography. HOLLYWOOD NOTES The disinclination on the part of American producers to import foreign films is being offset in increasing measure by the importing of foreign actors and directors. During the past several months many studio executives have visited Europe, and not one has returned without having contracted for further notable additions to Hollyw^ood's already numerous foreign colony. Typical of this situation is Samuel Goldwyn's recent acquisition of Lily Damita, whose w^ork in German and Hungarian films has given her an international reputation. 51