Close Up (Jul-Dec 1928)

Page scan 000214 from Close Up

Record Details:

Title:
Close Up
Date:
Jul-Dec 1928
Publisher:
[London, etc., Pool]
Volume:
Close up ... devoted to the art of films
Leaf #:
000214
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Switzerland, Early Cinema, and Global Cinema
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
As an active film magazine, CLOSE UP lasted only a short time, from 1927 to 1933. Yet the legacy of this English-language periodical, which was published in Switzerland, continues to matter. Edited by Bryher and her husband Kenneth Macpherson, CLOSE UP became THE magazine for energetic debates about the nature of cinema and manifestos imagining new forms of filmmaking and spectatorship. The magazine published articles by filmmakers, such as Sergei Eisenstein, and female literary modernists, such as H.D. and Gertrude Stein. As film scholar Anne Friedberg explains in the anthology CLOSE-UP, 1927-1933: CINEMA & MODERNISM, 'CLOSE UP became the model for a certain type of writing about film -- writing that was theoretically astute, politically incisive, critical of films that were simply 'entertainment.' For six and a half years, CLOSE UP maintained a forum for a broad variety of ideas about the cinema; it never advocated a single direction of development, but rather posed alternatives to existing modes of production, consumption, and film style.' Like Friedberg's own writing, CLOSE UP continues to be essential reading for anyone interested in the history of film and media theory. -- Eric Hoyt, 2014
Date Added:
July 25, 2024
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CLOSE UP expenses through this film by over a million dollars. Both these books deserve a place in the library of teachers and those interested in cinematography from an educational view point. Les documents internationaux de Vesprit nouveau, cine poemes de B. Fondane avec 2 photos de Man Ray, is a privately printed book, and is indicative of one side of the modern French feeling for the cinema. There are three " avant garde " scenarios, and the two photographs are well chosen. It is extremely difficult to judge a printed scenario, which must depend upon its realisation in pictures for its effects, but those who are in search of experimental scenarios from a fantastic angle will find these cine poems worth their attention. The format and printing of the book are extremely tasteful and harmonious, and a real visual sense is apparent in the form of the three scenarios. We are unaware if the book is obtainable, but take this opportunity of thanking the author for allowing us an opportunity to read it. 60