Close Up (Jul-Dec 1928)

Record Details:

Title:
Close Up
Date:
Jul-Dec 1928
Publisher:
[London, etc., Pool]
Volume:
Close up ... devoted to the art of films
Leaf #:
000330
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Switzerland, Early Cinema, and Global Cinema
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
As an active film magazine, CLOSE UP lasted only a short time, from 1927 to 1933. Yet the legacy of this English-language periodical, which was published in Switzerland, continues to matter. Edited by Bryher and her husband Kenneth Macpherson, CLOSE UP became THE magazine for energetic debates about the nature of cinema and manifestos imagining new forms of filmmaking and spectatorship. The magazine published articles by filmmakers, such as Sergei Eisenstein, and female literary modernists, such as H.D. and Gertrude Stein. As film scholar Anne Friedberg explains in the anthology CLOSE-UP, 1927-1933: CINEMA & MODERNISM, 'CLOSE UP became the model for a certain type of writing about film -- writing that was theoretically astute, politically incisive, critical of films that were simply 'entertainment.' For six and a half years, CLOSE UP maintained a forum for a broad variety of ideas about the cinema; it never advocated a single direction of development, but rather posed alternatives to existing modes of production, consumption, and film style.' Like Friedberg's own writing, CLOSE UP continues to be essential reading for anyone interested in the history of film and media theory. -- Eric Hoyt, 2014
Date Added:
July 25, 2024
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CLOSE UP Chinese physical culture. His technical adviser is H. C. Tsiang, a Chinese athlete and member of the German Academy of Physical Culture. The film is for UFA. * * * Again pressure of space forbids a list of recommended films. As, however, this list has been a popular item with our readers, we are arranging to print it in revised and enlarged form next month without fail, even if it means holding over some of the other material. * * * We are honoured to welcome Herr Andor Krazsna-Krausz, eminent editor of Germany's most interesting film journal. Film Technik, as our Berlin correspondent. Herr KrazsnaKrausz rightfully enjoys the reputation of being one of the few really good critics of modern cinema, and his forthcoming monthly articles will be of great value and interest, we are sure, to our readers throughout the world. 78