Close-Up (Jul-Dec 1928)

Record Details:

Title:
Close-Up
Date:
Jul-Dec 1928
Publisher:
[London, etc., Pool]
Volume:
Close up ... devoted to the art of films
Leaf #:
000461
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Global Cinema, Switzerland, and Early Cinema
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
As an active film magazine, CLOSE UP lasted only a short time, from 1927 to 1933. Yet the legacy of this English-language periodical, which was published in Switzerland, continues to matter. Edited by Bryher and her husband Kenneth Macpherson, CLOSE UP became THE magazine for energetic debates about the nature of cinema and manifestos imagining new forms of filmmaking and spectatorship. The magazine published articles by filmmakers, such as Sergei Eisenstein, and female literary modernists, such as H.D. and Gertrude Stein. As film scholar Anne Friedberg explains in the anthology CLOSE-UP, 1927-1933: CINEMA & MODERNISM, 'CLOSE UP became the model for a certain type of writing about film -- writing that was theoretically astute, politically incisive, critical of films that were simply 'entertainment.' For six and a half years, CLOSE UP maintained a forum for a broad variety of ideas about the cinema; it never advocated a single direction of development, but rather posed alternatives to existing modes of production, consumption, and film style.' Like Friedberg's own writing, CLOSE UP continues to be essential reading for anyone interested in the history of film and media theory. -- Eric Hoyt, 2014
Date Added:
June 20, 2024
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CLOSE UP Vol. Ill No. 5 November 1928 AS IS BY THE EDITOR The Editorial I had had in mind for this month has, I am delighted to see (sharing my joy with those who find their Editor's Editorials tiresome, pompous or dull) already been done in The Cinema, I am jubilant for two reasons. The first one is base but human, and is entirely concerned with the saving of work. The second is because such articles, with their safe, secure statistics, are — as the title indicates — the pin that bursts the bubble. The fact that the bubbles to prick are as copious as the Lux suds in which you wash your sheerest underwear offers not discouragement but somewhat humorous prospects. The article is quoted here in full, together with our congratulations to The Cinema, THE BUBBLE BURSTS. There comes hardly a day but the misdemeanours of some recalcitrant juvenile are laid at the door of some inoffensive cinema. The statistics of juvenile crime are reported to be on 5 /