Close Up (Jul-Dec 1928)

Record Details:

Title:
Close Up
Date:
Jul-Dec 1928
Publisher:
[London, etc., Pool]
Volume:
Close up ... devoted to the art of films
Leaf #:
000506
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Early Cinema, Global Cinema, and Switzerland
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
As an active film magazine, CLOSE UP lasted only a short time, from 1927 to 1933. Yet the legacy of this English-language periodical, which was published in Switzerland, continues to matter. Edited by Bryher and her husband Kenneth Macpherson, CLOSE UP became THE magazine for energetic debates about the nature of cinema and manifestos imagining new forms of filmmaking and spectatorship. The magazine published articles by filmmakers, such as Sergei Eisenstein, and female literary modernists, such as H.D. and Gertrude Stein. As film scholar Anne Friedberg explains in the anthology CLOSE-UP, 1927-1933: CINEMA & MODERNISM, 'CLOSE UP became the model for a certain type of writing about film -- writing that was theoretically astute, politically incisive, critical of films that were simply 'entertainment.' For six and a half years, CLOSE UP maintained a forum for a broad variety of ideas about the cinema; it never advocated a single direction of development, but rather posed alternatives to existing modes of production, consumption, and film style.' Like Friedberg's own writing, CLOSE UP continues to be essential reading for anyone interested in the history of film and media theory. -- Eric Hoyt, 2014
Date Added:
July 25, 2024
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CLOSE VP SIX RUSSIAN FILMS (Concluded) The Forty-First (Der Einiindviersigste). The Son (Das Kind des Andern). The Forty-First, (In place of Zvenigora, as announced.) Meschrabpom-Russ Film (Derussa), directed by Protasanov. Sand. No pretty oasis, or distant minaret on the sky line, just sand. It gives one a peculiar feeling that the scenery has been rubbed out by deliberate hand to emphasize the faces. Faces of men fighting in the sand. A girl is the crack shot of a little band of revolutionaries. She counts the number of officers who fall victims of her bullets, but the revolutionaries have to flee before the machine gun. (Here is a foreshadowing of the famous machine gun of Te7i Days,) Sand. Most of the men are on foot. The}" trudge on, till one of the vanguard sights a caravan. Horses and men run down from the hills of sand and circle the isolated detachment. An officer, behind a hastily erected barricade, falls to the ground. That,'' cries the girl, is mv forty-first." 42