Close Up (Jan-Jun 1929)

Page scan 000322 from Close Up

Record Details:

Title:
Close Up
Date:
Jan-Jun 1929
Publisher:
[London, etc., Pool]
Volume:
Close up ... devoted to the art of films
Leaf #:
000322
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Switzerland, Early Cinema, and Global Cinema
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
As an active film magazine, CLOSE UP lasted only a short time, from 1927 to 1933. Yet the legacy of this English-language periodical, which was published in Switzerland, continues to matter. Edited by Bryher and her husband Kenneth Macpherson, CLOSE UP became THE magazine for energetic debates about the nature of cinema and manifestos imagining new forms of filmmaking and spectatorship. The magazine published articles by filmmakers, such as Sergei Eisenstein, and female literary modernists, such as H.D. and Gertrude Stein. As film scholar Anne Friedberg explains in the anthology CLOSE-UP, 1927-1933: CINEMA & MODERNISM, 'CLOSE UP became the model for a certain type of writing about film -- writing that was theoretically astute, politically incisive, critical of films that were simply 'entertainment.' For six and a half years, CLOSE UP maintained a forum for a broad variety of ideas about the cinema; it never advocated a single direction of development, but rather posed alternatives to existing modes of production, consumption, and film style.' Like Friedberg's own writing, CLOSE UP continues to be essential reading for anyone interested in the history of film and media theory. -- Eric Hoyt, 2014
Date Added:
June 20, 2024
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CLOSE UP Among a number of other interesting tilings he could talk of, Herr Meisel had seen the camera cinema, Studio twentyeight, employing the multiplanar screen, and was very much impressed by its artistic possibilities in achieving realism. But we were encroacliing far upon the small hours of Tuesday morning, and though loth to do so, were compelled to depart with handshakes (muttering inadequate thanks) from a charming little mian, so full of subdued keenness and suggestion for the future harmonious marriage of music with the films that one felt that he at least was entitled to think that the exploration of the art possibilities of the films is only just beginning. Hay Chowl. AN ASPECT OF CINEMA CONSTRUCTION Having contrived a certain interval of leisure from my life of six years in the Japanese film world, I am now visiting Europe and America, bv wav of getting into touch with those personages with whom I have long been familiar through the screen. This has been mv desire for many years indeed. Fortunately for me, I had an opportunity to meet Mr. K. Alacpherson, the Editor of Close Up, in Berlin. 48