Close Up (Jan-Jun 1929)

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CLOSE UP humane Americans . . . only his eyes went very strange and his face set when he spoke of his companions who saw fit to do awav with themselves after the armistice. We must leave that, we must leave dead bodies of heroes achieving no name on tablets set at the base of statues nor on gold-wreathed slabs set ornate and respectable above bankpresidents' mahogany roll-top desks. Our concern is not with politics or politicians, nor the housing of the poor nor the educating of the ignorant. Our concern is with screen art simply . . . and with a particular still that did not match up with the cinema scene itself. I saw Joyless Street a second time. It was onlv last year. Then I did make a point of looking for the dead bodv and did see it. The first time I was so enchanted with light filtering through those shutters in that half-darkened room, I was so interested in the mass effect you got with the men's thick shoulders and blocked in shapes ... is it possible that in the earlier version the shots showing the dead woman on the floor were for some reason deleted?" Ah," interrupted Mr. Pabst delightedly, I didnot mean you to see the bodv of the murdered woman on the floor." H. D. 68