Close Up (Jan-Jun 1929)

Record Details:

Title:
Close Up
Date:
Jan-Jun 1929
Publisher:
[London, etc., Pool]
Volume:
Close up ... devoted to the art of films
Leaf #:
000554
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Switzerland, Early Cinema, and Global Cinema
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
As an active film magazine, CLOSE UP lasted only a short time, from 1927 to 1933. Yet the legacy of this English-language periodical, which was published in Switzerland, continues to matter. Edited by Bryher and her husband Kenneth Macpherson, CLOSE UP became THE magazine for energetic debates about the nature of cinema and manifestos imagining new forms of filmmaking and spectatorship. The magazine published articles by filmmakers, such as Sergei Eisenstein, and female literary modernists, such as H.D. and Gertrude Stein. As film scholar Anne Friedberg explains in the anthology CLOSE-UP, 1927-1933: CINEMA & MODERNISM, 'CLOSE UP became the model for a certain type of writing about film -- writing that was theoretically astute, politically incisive, critical of films that were simply 'entertainment.' For six and a half years, CLOSE UP maintained a forum for a broad variety of ideas about the cinema; it never advocated a single direction of development, but rather posed alternatives to existing modes of production, consumption, and film style.' Like Friedberg's own writing, CLOSE UP continues to be essential reading for anyone interested in the history of film and media theory. -- Eric Hoyt, 2014
Date Added:
August 29, 2022
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CLOSE UP emotions, recollections, phantasies, whatever they are, — which are contradictory to its newly acquired standard of personality, e.i. it tries to make out — and succeeds by and by — that these facts don't exist — never existed. Of course every individual pays a high price for this falsification, becoming unable to face certain realities of life and to deal with them adequately. Censorship is only the social repetition of this individual process of regression, of the most primitive and infantile way reacting to a conflict. The child, as it grows up, learns to use better methods, to see problems and grapple with them successfully. How long has a nation to resort to these infantile methods which are outgrown by every reasonable member of it? Hanns Sachs. TWELVE RULES FOR THE AMATEUR Or How to Make Money, Though Honest Circumstances, (over which I, my dear Hicks, have no control) prevent the Englishman from feeling often enough that he is abroad. But as this accounts for the fabulous 22