Close Up (Jul-Dec 1929)

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CLOSE UP composite motion pattern of great beauty formed by a super^'mposed (" condensed ") mirror image of the overhead sheaf of lines. Now, what or where am I approaching ? With two dimensions of rapid forward motion presented to me, relativity steps in. I must re-orient myself mentally. I fail to feel either of the motions. Something earthbound in me is responsible. Much of the perspective effect has vanished, for " parallel " sheaves of lines perspectively viewed, cross where they should converge only. There is no depth . . . no space to rush forward into ! Before I was in motion (mentally) so now I feel a queer sensation of mental inertia for I must come to rest. Something similar is quite a common experience : a long railway journey ... a brief pause in a station . . . another train draws in on the next line . . . stops . . . then the strange thing happens. Yes ! . . . we are off at last . . . see ! we are passing the carriage windows of the other train. In a moment the mental impression of motion is shattered . . . . the other train has drawn out, and beyond is the station kiosk ! We are 7iot moving, and have not moved. The ensuing momentary impression is one of " pulling up quickly "... inertia . . . which may actually throw one forward gently. Exactly this I felt. Surely I have arrived? Before I was in motion. Now I have stopped . . . felt the inertia on ceasing to move Yes, I have arrived in this land of beautiful machines in movement; watch them march, polished and sleek, balanced and balancing. 361