Close Up (Jan-Jun 1930)

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CLOSE LV Delve quickly into tlie sticky backstage soup, trip lightl\ over the million lights of Broadway and prostrate carcasses of all the world's show girls, and you find the Prime Minister of High Treason carefully shaving the beard of Bernard Shaw, with Maurice Elvey chatting lightly to Pudovkin oft" stage while the Shon' Goes On. Which all goes to show, as a movie magnate once told me when I said the 300,000 dollars he had spent buying his latest subject was a waste of mone}', that it takes all sorts to make a world. It has been estimated that ihe weight of the dollar bills the movie chiefs have spent on the growlies this vear would be sufficient to crush them. It has further been estimated that the nimiber of movie chiefs who are withotit dollar bills after the Wall Street rumpus are like the sands of the sea. Red from the wreck of the wolf that woke. Which all goes to show, as I nearly said to the movie magnate, that there's hope for the cinema yet. What of the future? " as the platform orator asked, flinging his arms dramaticallv forward, conscious of a wrong to be righted, the ultimate triumph of virtue, the divinitv which shapes our ends, and a burst trousers button. I am able exclusively to announce that Carl Laemmle has bought the film rights of James Joyce's Anna Livia Plurabella for a million dollars. The picture will be directed by Cecil B. De Mille, King of Bedroom Farce, and kindly loaned by ^I-G-M for the purpose, and supervised by Carl Laemmle, Jnr. In order not to hurt the susceptibilities of those patrons 90