Close Up (Jan-Jun 1930)

Page scan 00096 from Close Up

Record Details:

Title:
Close Up
Date:
Jan-Jun 1930
Publisher:
[London, etc., Pool]
Volume:
Close up ... devoted to the art of films
Leaf #:
00096
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Switzerland, Early Cinema, and Global Cinema
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
As an active film magazine, CLOSE UP lasted only a short time, from 1927 to 1933. Yet the legacy of this English-language periodical, which was published in Switzerland, continues to matter. Edited by Bryher and her husband Kenneth Macpherson, CLOSE UP became THE magazine for energetic debates about the nature of cinema and manifestos imagining new forms of filmmaking and spectatorship. The magazine published articles by filmmakers, such as Sergei Eisenstein, and female literary modernists, such as H.D. and Gertrude Stein. As film scholar Anne Friedberg explains in the anthology CLOSE-UP, 1927-1933: CINEMA & MODERNISM, 'CLOSE UP became the model for a certain type of writing about film -- writing that was theoretically astute, politically incisive, critical of films that were simply 'entertainment.' For six and a half years, CLOSE UP maintained a forum for a broad variety of ideas about the cinema; it never advocated a single direction of development, but rather posed alternatives to existing modes of production, consumption, and film style.' Like Friedberg's own writing, CLOSE UP continues to be essential reading for anyone interested in the history of film and media theory. -- Eric Hoyt, 2014
Date Added:
June 20, 2024
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CLOSE UP now turn thumbs down on a dummy or a last year's noisy, and in the next six months refuse to accept an uncoloured or a flat-figured talkie, there is no appeal from their heartless decision. The menace around the corner is truly very real to Hollywood at the present moment. It is in a sorry plight. Itj cannot turn back, it dare not stand still, and it fears the shadows of coming events. Clifford Howard. FIRST STEPS TOWARDS A WORKERS' FILM MOVEMENT The organisation of a Workers' Film Movement in Britain is an event of some importance; the fact that the movement is meeting with the most encouraging response, and achieving positive results, is of even greater importance. In matters of this kind Britain — as in so many other things connected with the Cinema — has been very backward. In Germany the proletarian film movement is firmly established, and has intimate contact with hundreds of Trade Unions and other mass working class organisations. In France and Austria, in the Scandinavian countries, and in America, similar movements have been undertaken with varying degrees of success. 66