Close Up (Jan-Jun 1930)

Page scan 000108 from Close Up

Record Details:

Title:
Close Up
Date:
Jan-Jun 1930
Publisher:
[London, etc., Pool]
Volume:
Close up ... devoted to the art of films
Leaf #:
000108
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Switzerland, Early Cinema, and Global Cinema
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
As an active film magazine, CLOSE UP lasted only a short time, from 1927 to 1933. Yet the legacy of this English-language periodical, which was published in Switzerland, continues to matter. Edited by Bryher and her husband Kenneth Macpherson, CLOSE UP became THE magazine for energetic debates about the nature of cinema and manifestos imagining new forms of filmmaking and spectatorship. The magazine published articles by filmmakers, such as Sergei Eisenstein, and female literary modernists, such as H.D. and Gertrude Stein. As film scholar Anne Friedberg explains in the anthology CLOSE-UP, 1927-1933: CINEMA & MODERNISM, 'CLOSE UP became the model for a certain type of writing about film -- writing that was theoretically astute, politically incisive, critical of films that were simply 'entertainment.' For six and a half years, CLOSE UP maintained a forum for a broad variety of ideas about the cinema; it never advocated a single direction of development, but rather posed alternatives to existing modes of production, consumption, and film style.' Like Friedberg's own writing, CLOSE UP continues to be essential reading for anyone interested in the history of film and media theory. -- Eric Hoyt, 2014
Date Added:
June 20, 2024
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CLOSE IF PARISIAN CINEMAS. It is proverbial that Paris is the best city in the world for seeing interesting films, new and old. These are not all to be found in the salles specialistes . Here is a list of cinemas where you will very seldom find a bad program. Cine Latin, Rue Thouin, behind the Pantheon. ]\Iagnificently cheap and uncomfortable. Their claim of * Films classiques et dUivant. garde ' is justified. Generally a good comiqiie. Program changed weeklv. Les Ursulines, Rue des LVsulines. Always the latest short abstracts. Strong Quartier atmosphere. Les Agriculteurs, near Gare St. Lazare. Directed by the Myrga family from Les Ursulines. Program different every evening, mostlv tried favourites with a document of ' camp life in the w^lds. For half-a-crown you can sit in an armchair. Vieux Colombier, off the lower end of Boulevarde Raspail. M. Tedesco keeps an admirable repertory of films. You are fairly certain to see a Charles Chaplin ' short.' Salle Adyar, Square Rapp, underneath ' la reigne de la rive gauche, the Eift>l Tower. Functions irregularly on one evening a fortnight, and has nothing not worth while. Studio Diamant, Place Augustin. Has a bar in the modern style and is (comparatively) expensive. L^ncomfortable, but worth while, if slick American films are out of fashion. Studio 28, Rue Tholoze in the centre of Montmartre. The last word for les jeunes cineastes. Same remark as above applies here. 78