Close Up (Jan-Jun 1930)

Page scan 000139 from Close Up

Record Details:

Title:
Close Up
Date:
Jan-Jun 1930
Publisher:
[London, etc., Pool]
Volume:
Close up ... devoted to the art of films
Leaf #:
000139
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Switzerland, Early Cinema, and Global Cinema
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
As an active film magazine, CLOSE UP lasted only a short time, from 1927 to 1933. Yet the legacy of this English-language periodical, which was published in Switzerland, continues to matter. Edited by Bryher and her husband Kenneth Macpherson, CLOSE UP became THE magazine for energetic debates about the nature of cinema and manifestos imagining new forms of filmmaking and spectatorship. The magazine published articles by filmmakers, such as Sergei Eisenstein, and female literary modernists, such as H.D. and Gertrude Stein. As film scholar Anne Friedberg explains in the anthology CLOSE-UP, 1927-1933: CINEMA & MODERNISM, 'CLOSE UP became the model for a certain type of writing about film -- writing that was theoretically astute, politically incisive, critical of films that were simply 'entertainment.' For six and a half years, CLOSE UP maintained a forum for a broad variety of ideas about the cinema; it never advocated a single direction of development, but rather posed alternatives to existing modes of production, consumption, and film style.' Like Friedberg's own writing, CLOSE UP continues to be essential reading for anyone interested in the history of film and media theory. -- Eric Hoyt, 2014
Date Added:
June 20, 2024
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CLOSE UP Vol. VI No. 2 February 1930 AS IS BY THE EDITOR Having" read witli surprise in a recent program of the London Film Society, that Uherfall (wronglv entitled Assault and BatteryY ^vas to be considered a " burlescjue extract from the Police Court News ", I think we can safely say now that ]]^elc0}ne Danger, in which Harold Llovd is acutaliy better than in his earlier silent films, is a beauty-drenched idyll of Impetuous Youth. Lloyd, with his bright, mundane virtuosity, has again coupled spontaneity to a scenario as dilletante and gay as thai of the never-to-be-forgotten Speedy, Perhaps I should say a scenario as frail and lissom as the dreams of girlhood? Its haunting pathos must certainly have made many a side ache and the tears of old men and maidens, young men and children will keep it afloat for many months to come. ^ Uherfallj mistranslated in America, Accident, said the F. S. program. Accident never was meant to be a translation. It was the director's decision, and the writer was present when the English title was discussed, and Accident chosen. 87