Close Up (Jan-Jun 1930)

Page scan 000214 from Close Up

Record Details:

Title:
Close Up
Date:
Jan-Jun 1930
Publisher:
[London, etc., Pool]
Volume:
Close up ... devoted to the art of films
Leaf #:
000214
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Switzerland, Early Cinema, and Global Cinema
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
As an active film magazine, CLOSE UP lasted only a short time, from 1927 to 1933. Yet the legacy of this English-language periodical, which was published in Switzerland, continues to matter. Edited by Bryher and her husband Kenneth Macpherson, CLOSE UP became THE magazine for energetic debates about the nature of cinema and manifestos imagining new forms of filmmaking and spectatorship. The magazine published articles by filmmakers, such as Sergei Eisenstein, and female literary modernists, such as H.D. and Gertrude Stein. As film scholar Anne Friedberg explains in the anthology CLOSE-UP, 1927-1933: CINEMA & MODERNISM, 'CLOSE UP became the model for a certain type of writing about film -- writing that was theoretically astute, politically incisive, critical of films that were simply 'entertainment.' For six and a half years, CLOSE UP maintained a forum for a broad variety of ideas about the cinema; it never advocated a single direction of development, but rather posed alternatives to existing modes of production, consumption, and film style.' Like Friedberg's own writing, CLOSE UP continues to be essential reading for anyone interested in the history of film and media theory. -- Eric Hoyt, 2014
Date Added:
June 20, 2024
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CLOSE UP AH, OUI! LE CINEMA! C'est bon pour les enfants, confiait a son collegue, un modeste wattmanx, des niaiseries ! J'y suis alle une fois, il y a bien une dizaine d'annees, et je n'v ai jamais remis les pieds, pas la peine de perde son temps a des gamineries pareilles ! Et le bonhomme prefere s'user la peau du pouce, des heures duraot, a taper le carton au bistro. Ainsi done il est des gens qui s'imaginent que roulent encore sur I'ecran tonneaux et melons affoles. Le cinema, pourtant, a evolue, et a I'heure qu'il est, constitue un amuseur tres suffisamment done pour satisfaire le public moyen. Quant a contenter V element cultive de ce meme public, c'est une autre affaire et il y a cent a parier contre un qu'en voulant plaire a celui-ci Ton rebutera Tautre, et vice-versa. Nous allons au cinema pour nous distraire. Xous n'entendons pas y trouver matiere a reflexion. Apres une journee de travail bien remplie, ce qu'il nous faut, c'est un derivatif, dit le premier, et vivent les pots qui defoncent les feutres, les portes qui ecrasent les nez, vivent encore les crossen-jambe, les pirouettes, les glissades, les tartes a la creme. Si c'est de sentiment qu'il s'agit, fmesse est de rigueur, et pour I'exprimer, que s'accolent, s'embrassent, se decollent les couples dans les allees ratissees, sous le regard paterne de la 146