Close Up (Jan-Jun 1930)

Page scan 000229 from Close Up

Record Details:

Title:
Close Up
Date:
Jan-Jun 1930
Publisher:
[London, etc., Pool]
Volume:
Close up ... devoted to the art of films
Leaf #:
000229
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Switzerland, Early Cinema, and Global Cinema
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
As an active film magazine, CLOSE UP lasted only a short time, from 1927 to 1933. Yet the legacy of this English-language periodical, which was published in Switzerland, continues to matter. Edited by Bryher and her husband Kenneth Macpherson, CLOSE UP became THE magazine for energetic debates about the nature of cinema and manifestos imagining new forms of filmmaking and spectatorship. The magazine published articles by filmmakers, such as Sergei Eisenstein, and female literary modernists, such as H.D. and Gertrude Stein. As film scholar Anne Friedberg explains in the anthology CLOSE-UP, 1927-1933: CINEMA & MODERNISM, 'CLOSE UP became the model for a certain type of writing about film -- writing that was theoretically astute, politically incisive, critical of films that were simply 'entertainment.' For six and a half years, CLOSE UP maintained a forum for a broad variety of ideas about the cinema; it never advocated a single direction of development, but rather posed alternatives to existing modes of production, consumption, and film style.' Like Friedberg's own writing, CLOSE UP continues to be essential reading for anyone interested in the history of film and media theory. -- Eric Hoyt, 2014
Date Added:
June 20, 2024
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CLOSE UP The Hannoverscher AnziegeYy Anzieger-Hochhaus, Hannover, a German paper, has edited a new supplement which is devoted to the problems of cultural film ; they call it Rund um den Kulturfilm^'. A cinema for cultural films belongs to the paper, the editor of which explains in a leading" article the tasks of his movy-theatre — which seems to be a similar institution to the KAMERA in Berlin — and what he understands by the term cultural film ". We must not confound cultural film with documentary film, for this would be too narrow a limitation for the scope of culture. Any film, which means an enrichment of the spectator's mind and being must be called a cultural film. It is the task of the Kulturfilmbiihne to bring the most valuable films — viewed from the artistic standpoint — and to satisfy those, who are either oversaturated by the average production methods, or those who have a hostile attitude toward the cinema — though they believe in its possibiHties — because they have only seen the usual Kitsch-films. The specimen-copy, which has been sent to us contains, furthermore, two interesting articles, one by Lola Kreutzberg, the other by Th. Dreyer, and an essay on the popular documentary film, as well as reproductions of stills. The editor hopes to receive contributions from Close Up readers if they have something to say about cinema and the question of sound-film. T. Weiss. * Concerning the Culture-film. 161