Close Up (Jul-Dec 1930)

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CLOSE UP three-colour lights, which cause the glass tubes to gleam from top to bottom. Mention must be made of the pay-box of pink mirror glass, giving a flattering sunburnt return to each observer." The Victoria ■\Ietropole is another new, shoic-case super. We w^onder if the poet ever dreamt of such a marble entrance hall, with its surround of red onyx and the black and gold of the pillar bases. Spanish Renaissance style gave the architect scope to play with " artistic plaster surfaces." Seats are in rose and gold and the orchestra rail is of carved wood. Yet another Spanish super is the Granada at Dover, replete with Moorish arches. But we are becoming positively embarrassed by the superabundance of current examples. Shall we talk of the paper stucco oak beams in the cinema at Tottenham ; or of the mosaic floor, at the Capitol, Epsom, which has been achieved by piecing together odds and ends of material ; or of the elegant sylvan scenes " which are murals at the Astoria in the Old Kent Road? Shall we turn to America, where atmospheric cinemas have been popular for years, to discuss the stacks of armour and statuary in marble, stone and gold at the Warner Brothers' Beacon; or the formal lawn of Louis XIV in gay regalia for a moonlight festival " which is the Chicago Paradise Theatre ; or Loew's Paradise Theatre, New York, designed in Italian Baroque ('^ a design with which certain liberties were taken, suggestions of the strong influence of the Austrian Baroque, and many of the architectural features and details are idealised replicas of the architecture of the Vatican and St. Peter's Cathedral Rome "). Or, are we ready to draw our conclusions? 312