Close Up (Mar-Dec 1931)

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238 CLOSE UP The leader of the mutineers would watch the doctor's advances, laugh, remember in a cut-back his old mother, knock the doctor out, pat the girl out of his way and sit down and drink. The doctor not being in uniform, would leave muttering, in sinister camera dissolves. Through the Odessa mists, the mutineer and the girl would discover love at first sight, to be broken apart at the first kiss clutch, by the memory of the sailor's waiting comrades. The heroine, jealous, would wander to the steps. Then, Hollywood is wealthy in ideas as well as cameras, there are at least three directions open to the story. Simple love, the sailor is accused falsely by the doctor, is about to be shot, but is rescued as the sheet drops, by a comrade or the girl ; romantic drama, the sailor is an officer disguised as a mutineer in order to discover some treacherous plot to overwhelm the ship ; or a play of gangster life, the ship is loaded with alcohol, and the doctor and the mutineer are leaders of two separate bootlegging establishments. But the end of all the stories must be the same : a triumphal bridal procession down the Odessa steps, Cossacks in front with bayonets decorated with orange blossom, sailors behind, the folk songs of the world, and on the edges, children with doves. The difference between this story and Potemkin, is the difference between kitsch and art. Next time a Close Up reader visits the cinema we suggest that he tries to turn the American story, into the story an Eisenstein could have made, and he will understand, by this process, better than by any written description, exactlv why the tinned ideas of Hollywood are so dangerous. (To be continued.) Bryher. "Swimming, by Jean Taris," a film by Jean Vigo. Production G.F.F.A., 1931. " La nage, par Jean Taris," un film de Jean Vigo. Production G.F.F.A., 1931. "Jean Taris schwimmt." Ein Film von Jean Vigo. Produktion G.F.F.A., 1931.