Close Up (Mar-Dec 1931)

Page scan 000320 from Close Up

Record Details:

Title:
Close Up
Date:
Mar-Dec 1931
Publisher:
[London, etc., Pool]
Volume:
Close up ... devoted to the art of films
Leaf #:
000320
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Switzerland, Early Cinema, and Global Cinema
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
As an active film magazine, CLOSE UP lasted only a short time, from 1927 to 1933. Yet the legacy of this English-language periodical, which was published in Switzerland, continues to matter. Edited by Bryher and her husband Kenneth Macpherson, CLOSE UP became THE magazine for energetic debates about the nature of cinema and manifestos imagining new forms of filmmaking and spectatorship. The magazine published articles by filmmakers, such as Sergei Eisenstein, and female literary modernists, such as H.D. and Gertrude Stein. As film scholar Anne Friedberg explains in the anthology CLOSE-UP, 1927-1933: CINEMA & MODERNISM, 'CLOSE UP became the model for a certain type of writing about film -- writing that was theoretically astute, politically incisive, critical of films that were simply 'entertainment.' For six and a half years, CLOSE UP maintained a forum for a broad variety of ideas about the cinema; it never advocated a single direction of development, but rather posed alternatives to existing modes of production, consumption, and film style.' Like Friedberg's own writing, CLOSE UP continues to be essential reading for anyone interested in the history of film and media theory. -- Eric Hoyt, 2014
Date Added:
June 20, 2024
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" The Way Into Life." " he chemin de la vie." " Der Weg ins Leben." Photo : Prometheus-Film. Photo : PrometheusFilm. Photo : Prometheusfilm . film — by showing hundreds of examples of most cunning artistry in turning : acrobatic masterpieces of optic jigsaw, brilliant conjuring of filmic association — but never a rounded work, never a clear, proceeding line. His great efforts of strength in relation to detail did not leave him breath' for the whole. His arabesques totally covered the ground plan, his fugues destroyed every melody. Since the advent of soundfilms that has become worse. Sound has added a new material to the old. A new object with which' one can play, which can be made to glitter, with which one can fall in love. Sound becomes the new lover, for whose sake all others must retire. On and in the sound is laid the principal stress. Sound is now the cord — a rough cord on which the separate pearls are strung.