Close Up (Mar-Dec 1931)

Page scan 000326 from Close Up

Record Details:

Title:
Close Up
Date:
Mar-Dec 1931
Publisher:
[London, etc., Pool]
Volume:
Close up ... devoted to the art of films
Leaf #:
000326
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Switzerland, Early Cinema, and Global Cinema
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
As an active film magazine, CLOSE UP lasted only a short time, from 1927 to 1933. Yet the legacy of this English-language periodical, which was published in Switzerland, continues to matter. Edited by Bryher and her husband Kenneth Macpherson, CLOSE UP became THE magazine for energetic debates about the nature of cinema and manifestos imagining new forms of filmmaking and spectatorship. The magazine published articles by filmmakers, such as Sergei Eisenstein, and female literary modernists, such as H.D. and Gertrude Stein. As film scholar Anne Friedberg explains in the anthology CLOSE-UP, 1927-1933: CINEMA & MODERNISM, 'CLOSE UP became the model for a certain type of writing about film -- writing that was theoretically astute, politically incisive, critical of films that were simply 'entertainment.' For six and a half years, CLOSE UP maintained a forum for a broad variety of ideas about the cinema; it never advocated a single direction of development, but rather posed alternatives to existing modes of production, consumption, and film style.' Like Friedberg's own writing, CLOSE UP continues to be essential reading for anyone interested in the history of film and media theory. -- Eric Hoyt, 2014
Date Added:
June 20, 2024
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308 CLOSE UP changing world, but of the immortal frozen records of the things of the spirit that are unchanged from age to age. Has it occurred to them to reflect that film-audiences, popular picture audiences, growing by the bread they have eaten, are maturing, are themselves cultivating and improving the medium from which they have drawn life ? And that these audiences seen in the bulk, disregarding single, exceptional individuals, are much more capable of appreciating the wares of museum and gallery than were, in the bulk, their pictureless predecessors? Dorothy M. Richardson. " The Way into Life," a Meschrabpom-Film by Ekk. Photo: PrometheusFilm. " Le chemin de la vie." Un film Meschrabpom, par Ekk. Photo: Prometheus-film. " Der Weg ins Leben," ein Meschrabpom film von Ekk. Photo: Prometheusfilm . THREE DAYS (An independent, avantgarde film now being made in Spain, by Xavier Guell. The scenario is published as received.) Title. MEETING FOR A BET. At a table in a cafe of a town anywhere, are seated SHE, HE and the OTHER MAN. They argue and resolve to make a bet. The agreement