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Contents of Vol. VIII
Page
As Is. Kenneth Macpherson . . . . . . . . . . . . . . . . 71 & 220
Be British. Dan Birt . . . . 284
Before Daybreak. Y. Ogino . . . . . . ~ . . . . . . ... . . . . 290
Before the Microphone of German Broadcasting. A. Kraszna-Krausz . . . . 122
Berlin, April 1931. Bryher . . 126
Brief History of Czech Motion Pictures. Karel Santar . . . . . . . . 34
Can Cinema be Taught. Oswell Blakeston . . . . . . . . . . . . . . 100
Certain General Conclusions. L. Duckworth . . . . . . . . . . . . 207
Check-up On Technique, No. 2. Oswell Blakeston . . . . . . . . . . 311
Comment and Review . . . . . . . . . . . . . . . . 73, 140, 239 & 325
Coming Revolution, The. Clifford Howard . . .. .. .. .. .. .. 214
Continuous Performance. Dorothy Richardson . . . . . . . . . . 182 & 304
Dinamic Square, The. Serge Eisenstein .. .. .. .. .. .. . .2 & 91
Education as a By-Product. Clifford Howard . . . . . . . . . . . . 46
Educational and Cultural Film Commission. Mary Chadwick . . . . . . 55
English Television. Robert Herring . . . . . . . . . . . . . . 286
Eye and Ear in the Theatre. Mark Segal . . . . . . . . ... . . . . 38
First Russian Soundfilms. A. Kraszna-Krausz . . . . . . ... . . . . 300
Future of the Amateur Film Movement, The. L. B. Duckworth . . . . . . 52
Hollywood Code, The. Bryher . . . . . . . . . . . . . . 234 & 280
Hollywood Review. Clifford Howard .. .. .. .. .. .. .. 112
Japanese Cinema. Carl Koch . . . . . . . . . . . . . . . . . . 296
My First Sound Film. Eugen Deslaw . . . . . . . . . . . . . . 61
New Kino, The. H. A. Potamkin . . . . . . . . . . . . . . . . 64
Notes from America. Herman Weinberg . . . . . . . . . . . . . . 188
Notes on the Portuguese Cinema. Alves Costa .. .. .. .. .. 17 & 325
Novel Into Film. H. A. Potamkin . . . . . . . . . . . . . . . . 267
On Film Patrol. Gordon Young . . . . . . . . . . . .' ' . . . . 108
On the Mountains and in the Valleys. Karel Plicka . . . . . . . . . . 96
Petite Lise, La. Jean Lenauer ..." • . . . . . . . . . . . . • • 44
Preliminary of Film Art. Zygmunt Tonecki . . . . . . .... 193 & 321
Prelude to a Criticism of the Movies. Herman G. Weinberg . . . . . . . . 62
Principles of Film Form. Serge Eisenstein . . . . . . . . . . . . . . 167
Principles of Film Recording. Dan Birt . . . . . . . . . . . . . . 200
Queen Kelly and Queen Victoria. H.A.M. . . . . . . . . . . . . 136
Reflections. Clifford Howard . . . . . . . . . . . . . . • • 318
Revu du Poete, la. Stenhouse .. ' "... .. .. .. .. .. ■■ 134
Seasons Retrospect, A. A. Kraszna-Krausz . .-. . . . . . . . . . . . 225
Stills and their Relation to Modern Cinema. Oswell Blakeston . . . . . . 20
Strange Adventure of David Gray . . . . .... 50
Theatre of the Future and the Talking Film, The. Zygmunt Tonecki . . . . 27
Three Days .... . . . . . . . , . . . . . . ■ • • • 308
Two Films. C. E. Stenhouse .... . . . . . . . . . . . . . . 232
Two Little Stories. O.B. .. .. ... ... .. .... .. ■ ■■ 211