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Close Up (Mar-Dec 1932)

Page scan 000118 from Close Up

Record Details:

Title:
Close Up
Date:
Mar-Dec 1932
Publisher:
[London, etc., Pool]
Volume:
Close up ... devoted to the art of films
Leaf #:
000118
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Switzerland, Early Cinema, and Global Cinema
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
As an active film magazine, CLOSE UP lasted only a short time, from 1927 to 1933. Yet the legacy of this English-language periodical, which was published in Switzerland, continues to matter. Edited by Bryher and her husband Kenneth Macpherson, CLOSE UP became THE magazine for energetic debates about the nature of cinema and manifestos imagining new forms of filmmaking and spectatorship. The magazine published articles by filmmakers, such as Sergei Eisenstein, and female literary modernists, such as H.D. and Gertrude Stein. As film scholar Anne Friedberg explains in the anthology CLOSE-UP, 1927-1933: CINEMA & MODERNISM, 'CLOSE UP became the model for a certain type of writing about film -- writing that was theoretically astute, politically incisive, critical of films that were simply 'entertainment.' For six and a half years, CLOSE UP maintained a forum for a broad variety of ideas about the cinema; it never advocated a single direction of development, but rather posed alternatives to existing modes of production, consumption, and film style.' Like Friedberg's own writing, CLOSE UP continues to be essential reading for anyone interested in the history of film and media theory. -- Eric Hoyt, 2014
Date Added:
June 20, 2024
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io8 CLOSE UP Concrete, extensive and organised film criticism is to be found in several magazines. In Japan we have — I am writing proudly enough — two film magazines devoted to the art of films, namely Eiga-Orai (meaning cinema essays) and EigaHyoron (or the Filmcrit). Eiga-Orai was launched in January, 1925, just two years and a half before Close Up was published, as -a companion magazine to Kinema-Jumpo (which will be mentioned later), with the object of discussing cinema free of any restraint imposed by film-producing companies, film importers, film exhibitors, and all others who do not consider cinema primarily as an art. Eiga-Orai is the first public magazine devoted to the study of film art in Japan, or, I may venture to say, in the world.