Start Over

Close Up (Mar-Dec 1932)

Page scan 000165 from Close Up

Record Details:

Title:
Close Up
Date:
Mar-Dec 1932
Publisher:
[London, etc., Pool]
Volume:
Close up ... devoted to the art of films
Leaf #:
000165
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Switzerland, Early Cinema, and Global Cinema
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
As an active film magazine, CLOSE UP lasted only a short time, from 1927 to 1933. Yet the legacy of this English-language periodical, which was published in Switzerland, continues to matter. Edited by Bryher and her husband Kenneth Macpherson, CLOSE UP became THE magazine for energetic debates about the nature of cinema and manifestos imagining new forms of filmmaking and spectatorship. The magazine published articles by filmmakers, such as Sergei Eisenstein, and female literary modernists, such as H.D. and Gertrude Stein. As film scholar Anne Friedberg explains in the anthology CLOSE-UP, 1927-1933: CINEMA & MODERNISM, 'CLOSE UP became the model for a certain type of writing about film -- writing that was theoretically astute, politically incisive, critical of films that were simply 'entertainment.' For six and a half years, CLOSE UP maintained a forum for a broad variety of ideas about the cinema; it never advocated a single direction of development, but rather posed alternatives to existing modes of production, consumption, and film style.' Like Friedberg's own writing, CLOSE UP continues to be essential reading for anyone interested in the history of film and media theory. -- Eric Hoyt, 2014
Date Added:
June 20, 2024
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CLOSE UP Editor K. Macpherson Assistant Editors : Bryher ; Oswell Blakeston Published by POOL London Office : 26 Litchfield Street, Charing Cross Road, W.C.2. Swiss Office : c/o F. Chevalley, Case Postale, Carouge s/ Geneve. Contents PAGE On the Sets of the Film Atlantis. Erno Metzner . . . . . . . . 153 The Experiment of Chesterfield. Robert Herring . . . . . . . . 161 The Music for Harlequin. Eric Walter White . . . . . . . . . . 164 Vertov ad Absurdam. J. Pennethorne Hughes .. .. .. .. .. 174 Pabst-Dovjenko, a comparison. John C. Moore . . . . . . . . 176 German Film Season, 1932-3. A. Kraszna-Krausz . . . . . . . . 184 The International Exhibition of Photography in Brussels. Trude Weiss . . 188 Notes on some Films. Bryher . . . . . . . . . . . . . . 196 Kitsch. Dr. Hanns Sachs 200 Comment and Review . . . . . . . . . . . . . . . . 205 Notice to Film Societies ; The Southampton Film Society ; The Manchester Film Society ; Henry Alan Potamkin ; Film Review — Das Keimende Leben ; Book Reviews — New Books, The Film in National Life, Notice to foreign subscribers. London Correspondent : Paris Correspondent : Berlin Correspondent : Geneva Correspondent : Hollywood Correspondent : New York Correspondent : Moscow Correspondent : Vienna Correspondent : Robert Herring Jean Lenauer A. Kraszna-krausz F. Chevalley Clifford Howard H. A. Potamkin P. Attasheva Trude Weiss Subscription Rate. ENGLAND . . . . 15 shillings per year SWITZERLAND . . 15 francs per year All other Countries . . 15 shillings (English) per year Copyright 1932 by Pool.