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Close Up (Mar-Dec 1932)

Page scan 000264 from Close Up

Record Details:

Title:
Close Up
Date:
Mar-Dec 1932
Publisher:
[London, etc., Pool]
Volume:
Close up ... devoted to the art of films
Leaf #:
000264
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Switzerland, Early Cinema, and Global Cinema
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
As an active film magazine, CLOSE UP lasted only a short time, from 1927 to 1933. Yet the legacy of this English-language periodical, which was published in Switzerland, continues to matter. Edited by Bryher and her husband Kenneth Macpherson, CLOSE UP became THE magazine for energetic debates about the nature of cinema and manifestos imagining new forms of filmmaking and spectatorship. The magazine published articles by filmmakers, such as Sergei Eisenstein, and female literary modernists, such as H.D. and Gertrude Stein. As film scholar Anne Friedberg explains in the anthology CLOSE-UP, 1927-1933: CINEMA & MODERNISM, 'CLOSE UP became the model for a certain type of writing about film -- writing that was theoretically astute, politically incisive, critical of films that were simply 'entertainment.' For six and a half years, CLOSE UP maintained a forum for a broad variety of ideas about the cinema; it never advocated a single direction of development, but rather posed alternatives to existing modes of production, consumption, and film style.' Like Friedberg's own writing, CLOSE UP continues to be essential reading for anyone interested in the history of film and media theory. -- Eric Hoyt, 2014
Date Added:
June 20, 2024
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246 CLOSE UP Willi Domgraf-Fitssbaender and Jarmila Novotna in " Tlie Bartered Bride" Photo : Reichsliga-Heros. Willi Domgraf-Fussbaender et Jarmila Novotna dans " Vepouse echangee. Photo : Reichsliga-Heros . Willi Domgraf-Fassbaender imd Jarmila Novotna in " Die verkaufte Braut." Photo : Reichsliga-Heros. TWO FILMS AND ONE STAR There was realisation tiiat life was more than consciousness of self. There was appreciation of the life one shared which trees, skies, light through a storm-swept pane, also shared. There was a sense of dwelling in moss, flint or firelight. Actions were linked to these things. There were bonds with twigs and horizons.