Close Up (Mar-Dec 1932)

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Contributors to Vol. IX BiRT, Dan : Datum Point Blakeston, Oswell : Facts for Finance . . Manifesto (Back to Primitives) Plots in Our Time . . Prospective Perspective Bryher : Notes on Some Films West and East of the Atlantic BuRFORD, Roger : Plots in Our Time . . Daugherty, Frank : Paul Green in Hollywood . . ElSENSTEIN, S. M. : Detective Work in the GlK Herring, Robert : Enthusiasm ? Experiment of Chesterfield, The Sword of Death, The Two Films and One Star . . Howard, Clifford : American Tendencies Hollywood in Fact . . Jabberwocky Hughes, G. Pennethorne : Vertov ad Absurdam Jezek, Svatopluk : Events of Czech Film Kraszna-Krausz, a. : Book Teaches the way to see Films, A Four Films From Germany Lenauer, Jean : Paris News Macpherson, Kenneth : As Ts Manifesto (Back to Primitives) Night-Prowl in La Mancha, A Metzner, Ehno : Mining Film, A On the Sets of the Film Atlantis Modern, Klara : Vienna of the Films Young Workers film their own Life Moore, John C. : Experimental Film and its Ivimitations, The Pabst-Dovjenko, A Comparison Ogino, Y. : Film Criticism in Japan Potamkin, H. a. : Dog Days in the Movies . . Pretzfelder, Max : Film-Costumier's Problems, The Richardson, Dorothy : Continuous Performance . . . . ■ Sachs, Dr. Hanns : Kitsch Santar, Karel : Boys Without Uniform Disappearing World Tonecki, Zygmunt : At the Boundary of Film and Theatre Weiss, Trude : Blue Light, The Elizabeth Bergner Again . . First OperaFilm, The International Exhibition of Photography (Brussels) White, Eric Walter : Music for Harlequin, The . . Page 46 164