Close Up (Mar-Dec 1933)

Record Details:

Title:
Close Up
Date:
Mar-Dec 1933
Publisher:
[London, etc., Pool]
Volume:
Close up ... devoted to the art of films
Leaf #:
00015
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Switzerland, Early Cinema, and Global Cinema
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
As an active film magazine, CLOSE UP lasted only a short time, from 1927 to 1933. Yet the legacy of this English-language periodical, which was published in Switzerland, continues to matter. Edited by Bryher and her husband Kenneth Macpherson, CLOSE UP became THE magazine for energetic debates about the nature of cinema and manifestos imagining new forms of filmmaking and spectatorship. The magazine published articles by filmmakers, such as Sergei Eisenstein, and female literary modernists, such as H.D. and Gertrude Stein. As film scholar Anne Friedberg explains in the anthology CLOSE-UP, 1927-1933: CINEMA & MODERNISM, 'CLOSE UP became the model for a certain type of writing about film -- writing that was theoretically astute, politically incisive, critical of films that were simply 'entertainment.' For six and a half years, CLOSE UP maintained a forum for a broad variety of ideas about the cinema; it never advocated a single direction of development, but rather posed alternatives to existing modes of production, consumption, and film style.' Like Friedberg's own writing, CLOSE UP continues to be essential reading for anyone interested in the history of film and media theory. -- Eric Hoyt, 2014
Date Added:
November 07, 2023
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CLOSE UP 7 Shangelaya' s " 26 Commissars," a Georgian Film. Du film Georgien : " 26 Commissaires," de Shangelaya. Shangelayas " 26 Kommissare," ein georgischer Film. " Dear old friend. My only nigger is my left hand, which holds the book open while my right hand works eighteen hours a day "... He was slightly exaggerating. He had collaborators,, but — as with Napoleon — they were generals. Miracles of composition are merely a question of perseverance and of time expended in the training period of one's autobiography. From the point of view of productivity, this period of romanticism was pre-eminently conspicuous for the dizzy speed of its creative tempo. In eight days (September 17th to September 25th, 1829) Victor Hugo wrote 3,000 stanzas of " Hernani," which revolutionized the classical drama; in twenty-three days he wrote " Marion de Lorme "; in eleven days, " Lucrezia Borgia " ; in nineteen days, " Marie Tudor " ; in thirtyfour days, " Ruy Bias," etc., etc. The quantitative output is proportionately great. For instance, the literary estate of Dumas-Pere comprised 1,200 volumes . . . And the opportunity of creating such works is accessible to everyone.