Close Up (Mar-Dec 1933)

Record Details:

Title:
Close Up
Date:
Mar-Dec 1933
Publisher:
[London, etc., Pool]
Volume:
Close up ... devoted to the art of films
Leaf #:
00021
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Global Cinema, Switzerland, and Early Cinema
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
As an active film magazine, CLOSE UP lasted only a short time, from 1927 to 1933. Yet the legacy of this English-language periodical, which was published in Switzerland, continues to matter. Edited by Bryher and her husband Kenneth Macpherson, CLOSE UP became THE magazine for energetic debates about the nature of cinema and manifestos imagining new forms of filmmaking and spectatorship. The magazine published articles by filmmakers, such as Sergei Eisenstein, and female literary modernists, such as H.D. and Gertrude Stein. As film scholar Anne Friedberg explains in the anthology CLOSE-UP, 1927-1933: CINEMA & MODERNISM, 'CLOSE UP became the model for a certain type of writing about film -- writing that was theoretically astute, politically incisive, critical of films that were simply 'entertainment.' For six and a half years, CLOSE UP maintained a forum for a broad variety of ideas about the cinema; it never advocated a single direction of development, but rather posed alternatives to existing modes of production, consumption, and film style.' Like Friedberg's own writing, CLOSE UP continues to be essential reading for anyone interested in the history of film and media theory. -- Eric Hoyt, 2014
Date Added:
November 07, 2023
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CLOSE UP 13 and of a just and thoughtful consideration of those questions, the answers to which lead to the construction of something and not to fruitless chatter about it. That is how people are taught to fly in circuses. The trapeze is held back mercilessly, or the hand is just held out if the tempo, of the pupil is inexact. It will do him no harm if he falls wide of the safety net once or twice and injures himself by falling on to the seats in the auditorium. He won't do it next time. But no less solicitously, at every stage must the helpful material furnished by the knowledge and experience inherited from the past be duly and opportunely thrust into the hands of confused or nonplussed workers. But not only that. If one all-embracing synthetic giant is not available, yet at every new stage there is, beside the inheritance from the past, From " The Go/den Mountain," a new film by Ermler and Yutkevitch. " La montagne d'or." nouveau film de Ermler et Yutkevitch. Aus " Der go/dene Berg." Ein neuer Film von Ermler und Yutkevitsch.